About Me

My photo
Spofford, New Hampshire, United States
Jeff Newcomer has been a physician practicing in New Hampshire and Vermont for over 30 years. Over that time, as a member of the Conservation Commission in his home of Chesterfield New Hampshire, he has used his photography to promote the protection and appreciation of the town's wild lands. In recent years he has been transitioning his focus from medicine to photography, writing and teaching. Jeff enjoys photographing throughout New England, but has concentrated on the Monadnock Region and southern Vermont and has had a long term artistic relationship with Mount Monadnock. He is a featured artist in a number of local galleries and his work is often seen in regional print, web publications and in business installations throughout the country. For years Jeff has published a calendar celebrating the beauty of The New England country-side in all seasons. All of the proceeds from his New England Reflections Calendar have gone to support the Pulmonary Rehabilitation Program at the Cheshire Medical Center. Jeff has a strong commitment to sharing his excitement about the special beauty of our region and publishes a weekly blog about photography in New England.

Sunday, April 21, 2013

Do Something New With Your Photography

One of the great things about photography is that there are so many different ways to do it.  It is certainly another stick season. The snow is gone, the buds are just greening up, and the anemic winter run-off has left many of my favorite waterfalls uninspiring. What to shoot? One can only lay in bed shooting pictures of your feet for so long. So why not try something new?

 I have always concentrated on landscapes, but every so often, and

especially this time of year, I get bored of trees and rocks and start looking for something else to shoot. This spring I was distracted by chasing the Comet PanSTARR and that got me interested again in star field photography. On several occasions, I even dragged myself out of bed at 3AM, in an attempt to catch the Milky Way. I am not a birder, but I have been watching the nest on the Connecticut River, hoping that the eagle pair will settle in to raise a family. I have probably jinxed my chances by getting a tele-Extender.

The variety of photography is almost endless. If you are in a bit of a “Stick Season Slump”, consider something from my brief list of possibilities. Some of these only require a shift in focus, while others may benefit from special equipment. I always like an excuse to get new gear, but they all provide an opportunity to learn new stuff.
What follows are random incomplete reflections about only a few of the many ways to get a fresh perspective on your photography. Fortunately, all the information you need is just a Google search away.  Fair warning, I have tried all of these modes of photography, but I must admit that I am expert in none. That's what makes them exciting.

Get Out of Your Comfort Zone

We do tend to get into ruts. I keep my trusty 24-105 lens on my camera far too much. Just pulling something else from my bag, whether it is a wide angle, macro or my fast 50mm portrait lens, can be refreshing. Also try changes in perspective. Crawl on the ground or get up high. Of course a more expensive way to leave your comfort zone is to take a trip, but it doesn’t have to break the bank. I've enjoyed recent travel out West and along the  Danube River, but for me,  a trip to the Maine Coast is always refreshing.


Teton Sunset

Star Photography
I have recently returned to star photography. I have played with star

Mt Monadnock Trails
and time-lapse video, but recently I have been working on star field shots, especially looking to capture the Milky Way. However it is done, star photography reveals views of the night sky that are impossible to appreciate with the naked eye and stimulates a magnificent sense of perspective on our place in the universe. Key equipment includes a camera with low noise/high ISO capability, a wide angle lens, a solid tripod and, if you plan to do time-lapse, an intervalometer. Oh and don’t forget a reliable alarm clock to rouse you at ungodly hours.

Star Track Photography
Searching for the Milky Way

Time lapse

Time-lapse photography is another technique that reveals what our eye cannot see. The changing patterns of nature or frenetic human activity can be compressed into short intervals that distill the action, making subtle patterns clear.  All you need to make time-lapse videos is an intervalometer to time the shutter releases and software to assemble the images into a movie. Of course as with almost everything here a sturdy tripod is a must. One other point. Time-lapse videos take hundred of images. At the standard 24 frames per second, a 30 second video will require 720 images. Because I get concerned about wearing out the shutter in my primary camera, I have dedicated my old Canon 5d to time-lapse service.

Trimming the Tree (YouTube:First Try at Time-lapse: Sorry)



The ability to capture high quality video from your digital camera is a great new feature, but I can testify that video requires an entirely different skill set than conventional still photography. Although DSLR cameras can record high definition video they have limitations compared to a dedicated video cameras. Most notably, continuous focus is difficult to control smoothly, but also DSLR are not equipped to record quality sound. Over the last year I have been contributing video to the upcoming Mt Monadnock documentary, but given the limitations of my Canon 5d Mark II my video clips have been primarily set clips for background images (B Roll: As above). You can
spend a lot of money to supplement the video capabilities of your DSLR. Basic equipment includes a tripod, preferably with a fluid head for smooth panning and a follow focusing attachment. One of the most important elements of good video is good sound. A quality external microphone and recording device are key. I use a Rode microphone attached to a Zoom H4n field recorder. Of course, when you are finished, there are many options for video editing. There is a lot to learn to get decent video, but that's the fun.


If, like me, you are primarily a landscape photographer, an exploration of wildlife photography can be a great new challenge. I have great respect for the patience and dedication of those who get amazing wildlife shots by siting out in the cold for hours. As for me, I like my wildlife stationary and predictable and close to my car. In the spring, the birds keep close watch on their nests and that is a great time for me. Sadly my favorite Blue Heron nest on Harris Pond in
Westmoreland, NH is gone this spring, but I am watching an eagle nest on the Connecticut River. I'm hoping that they will settle in to raise a family. A long lens is the primary requirement of wildlife. I found that my 400mm isn't quite long enough to capture detailed images of the eagles from across the river. I will try to sneak closer once they are settled, but I don't want to disturb them at this critical time. I also got a 2x Tele-Extender, but will need good light to off-set the two stops I loose with the extra reach. Of course wildlife may also be as close as your couch. I hear that a few people on the web like pictures of cats and dogs. 


Get in Close
Macro photography opens an entire new world of opportunities both in the natural world and at home. I love studying the detail of flowers and that is often done best in protected environments, such as at a greenhouses or at home. My annual pilgrimage to the beautiful greenhouses at the Walker Farm, In Dummerston, Vermont has become a seasonal tradition. This time of year 
the early spring flowers are a welcome source of material as well. The greatest challenge of macros is the management of the often painfully shallow depth of field. Stopping down on the aperture and using a tripod can help, but focus stacking in photoshop or other programs can make a big difference. Equipment for macro photography can range from cheap to prohibitively expensive. Extension tubes can be effective and cost almost nothing, but, I have to admit that since I sacrificed for a wonderfully sharp macro lens I haven't gone back to the tubes.

Infrared photography provides a fresh look by recording an otherwise 
invisible portion of the electromagnetic spectrum. Glowing foliage and inky dark skys can breath new life into dull flat scenery. Shooting in infrared is best with luxuriant foliage, so winter and early spring are not the best seasons. With many digital cameras infrared can be shot with dense, nearly impenetrably dark filters, but images usually need to be framed and focused before the filters are adding and the long exposures make a tripod a necessity. Happily a much more elegant solution is available. Your lonely, old camera can be modified to shoot infrared. I did this with my old Canon 20D and turned a dusty doorstop into a gateway to a whole new way of seeing. I've found that on days when the light is hopeless, I can still get some interesting shots by harvesting among the longer wavelength. 

Infrared, Seeing Photography in a Different Light 

My list goes on, but I think this is a good place to stop my ramblings. I will leave other options like street photography and portraiture for you to explore on your own. My intention here is only to get you thinking about fresh approaches for your photography.  So the next time you find yourself moaning about having nothing to shoot, apply a quick dope slap and get out to try something new.

1 comment:

  1. I am a photography lover and i have just started doing it as a part of my hobby. I am always searching for new ideas of trying different things in photography.This blog gives has some of the very awesome tips to to photography that i would definitely going to try

    bartech focus kit | camera support