I have a new "Carry Around" camera and, so far I'm having
fun.
Let's face it, we are photographers which means we love gear. I know that there are those out there that preach a minimalist approach to the sport, but given the opportunity and an overpowered four wheel drive vehicle to carry the gear most of us would load up on heavy stuff that we will seldom use. My approach to gear has generally been that the transient annoyance and pain of lugging around a heavy kit is generally over balanced by the years of satisfaction which comes from getting the most out of any photographic opportunity. Just so long as the tonnage doesn't limit my mobility.
Let's face it, we are photographers which means we love gear. I know that there are those out there that preach a minimalist approach to the sport, but given the opportunity and an overpowered four wheel drive vehicle to carry the gear most of us would load up on heavy stuff that we will seldom use. My approach to gear has generally been that the transient annoyance and pain of lugging around a heavy kit is generally over balanced by the years of satisfaction which comes from getting the most out of any photographic opportunity. Just so long as the tonnage doesn't limit my mobility.
While
recognizing the value of having my full kit, there are situations where a light
and unobtrusive “carry around” camera is nice to have on hand. A small camera is
great, for street
photography where a massive "professional" device will draw
immediate attention. I may be paranoid, but I have also used a small camera in
situations where I fear that a big expensive DSLR might be a temptation for pick
pockets and muggers. Sorry Equador, but I wasn't going to take my 5D out to
capture the street fair at night in Quito. To be fair to South America, I also
used my carry around to capture the monuments at night in Washington, DC.
Perhaps the most important reason to have a capable small camera is to have it
with you wherever you go. The classic rule is, " Your best camera is the one you
have with you" and I try not to make that camera my iPhone. My brief case always
has a small camera tucked inside for those unexpected opportunities that seem to
pop up on my way to or from work. Whether i'm out to diner with friends or just
taking Nellie for a quick "pooper", if I don't expect to capture an 12x18" fine
art image, the little camera works just fine.
Depth of Focus |
For several years my carry around has been a Canon G11. It is a powerful little
Early 1200 mm trial, West River Dragon |
The Carry-Around Criteria
I should start with a short list of the features I look for in a small carry around. There is no camera out there that meets all these perfectly but it is a good to have some criteria to apply to the search.
Size: The Ideal here is to be able to comfortably slide the camera into your pants pocket. There is some amazingly small camera out there, but invariably the tiny size comes with performance trade-offs including sensor size, zoom range, and controls. I have generally settled for a camera that slips into a brief case or fanny pack, rather than in my pants pocket.
Zoom:
The zoom ranges is
especially important with fixed lens
cameras. One of the reasons for my lack of
strong affection for my G11 is that the zoom is only 5x (24-140mm). The longer
the OPTICAL zoom the better, and beware of references to the “Digital” zoom. All
this is doing is cropping the image and you can do that better in post. And of
course, with longer zooms, image stabilization becomes increasingly important
for sharp images.
1200 mm, Spofford Lake |
RAW Capability:
After I started shooting RAW, I would
never want to go back the baked-in restrictions of 8 bit jpg
images.
Range of Controls:
Range of Controls:
I want to have full control of the cameras
functions including Shutter and aperture preferred, and manual control. ISO,
exposure compensation, white balance and focus control are also
desirable.
Ease of Control: The more I can stay away from menus the better. With practice the journey through menus on the LCD can become manageable, but I look for as many adjustments on dials and buttons on the camera as possible.
Video: High definition on many of these little cameras is amazing, but quality sound is generally still a major issue. The old saying is true: “A great movie with crappy sound is still a crappy movie”.
Other Features: Cable release input, hot shoe to supplement the usually rudimentary built in flash, Tilt/swivel LCD Screen (I don’t get down on the ground as easily as in the past)
Susan has Turned Returning Her Birthday Presents
into an Art Form
A couple of weeks ago I got a new carry-around camera. I started by getting Susan a small camera that would fit easily in her purse, but would have decent focal length range. We are heading to Alaska in August and, if in no other place, I thought Susan might be induced to take a picture of a Grizzly, safely at the end of a very long lens. I ended up with the Canon SX 500. It was nicely compact and had a 30x zoom. Unfortunately it couldn't shoot RAW, but I thought it was a nice compromise for her to have easily at hand. Happily, Susan rejected her birthday present insisting that, “You’re the photographer. Why do I need a camera”. It is usually jewelry that she rejects, but this time, a camera. Ok. Great! I went out and got the camera I wanted, but hopefully one that she might still be able to use from time to time and perhaps in Alaska.
Ease of Control: The more I can stay away from menus the better. With practice the journey through menus on the LCD can become manageable, but I look for as many adjustments on dials and buttons on the camera as possible.
Video: High definition on many of these little cameras is amazing, but quality sound is generally still a major issue. The old saying is true: “A great movie with crappy sound is still a crappy movie”.
Other Features: Cable release input, hot shoe to supplement the usually rudimentary built in flash, Tilt/swivel LCD Screen (I don’t get down on the ground as easily as in the past)
Susan has Turned Returning Her Birthday Presents
into an Art Form
A couple of weeks ago I got a new carry-around camera. I started by getting Susan a small camera that would fit easily in her purse, but would have decent focal length range. We are heading to Alaska in August and, if in no other place, I thought Susan might be induced to take a picture of a Grizzly, safely at the end of a very long lens. I ended up with the Canon SX 500. It was nicely compact and had a 30x zoom. Unfortunately it couldn't shoot RAW, but I thought it was a nice compromise for her to have easily at hand. Happily, Susan rejected her birthday present insisting that, “You’re the photographer. Why do I need a camera”. It is usually jewelry that she rejects, but this time, a camera. Ok. Great! I went out and got the camera I wanted, but hopefully one that she might still be able to use from time to time and perhaps in Alaska.
After some further research, I ended up with the Canon
50 HS. The camera is a little bigger, but still quit compact and incredibly
light. It is a pleasure to carry it around in a small fanny pack. There are a
number of excellent reviews of the camera's strengths and weaknesses and I will
only mention a few of the features that I have found interesting.
Zoom!
The obvious, stand-out feature of the SX50 is its 50X zoom. This thing goes from 24mm to 1200mm!, making its lack of
1200mm and Cropped |
24 mm |
RAW of Course
The second, must have feature, is that the camera shoots in RAW. Nuf said.
Macro Although the extreme zoom is the stand-out feature of this
little camera, I have been espcially impressed with its macro performance. I am
experienced with the extremely thin depth of focus from my full size sensor and,
although the SX 50 can't match the beautiful bokeh of my 5d Mark II, its tiny
sensor can often pull much more of the subject into sharp focus. I can use a
single image to capture flowers in sharp focus that would require three or four
stacked images from my full frame camera.
Controls
The SX 50 has the full range of
controls, and those not on the camera body, are accessible though a reasonably
simple menu system. I have learned my own lesson and after a short time actually
reading the manual, and photographing my feet, I think I have most of the
routine controls figured out. It helps that the control scheme is similar to
that on my G11.
Bracketing
The camera has the capability to shoot 3 images, applying
exposure or focus bracketing. I'm still figuring out how to adjust the range of
exposure or focus, but, a few days ago, I did get a reasonable exposure bracket
to use in an HDR image of sunset across Huber Farm. The results were not as
smooth as my, tripod stabilized, 7 image DSLR version, but still not bad for a
hand held three image bracket.
Gripes
Of course I have a few gripes about the camera. At f3.5, The lens is
Indian Pond Frog Hunting, Chesterfield, NH |
West River Sunset, Brattleboro, Vermont |
There are many more pros and cons I could mention. I haven't even begun to explore the High Definition video capabilities of the camera, but I must remember that the purpose of this article was to respond to requests to see images from my new Carry Around. I can say that the SX50 HS is not a perfect camera. Like all small cameras it encompasses compromises in size, function and image quality, but so far I have been satisfied with the results. I can say I have been having fun shooting with this little camera that has such a big reach and, to me, that is the most important thing. I think I have found a new Carry Around.
Jeffrey Newcomer
Partridgebrookreflections.com