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| All the pictures here, of Portland Head Light, are from my 2008 explorations of Cape Elizabeth Maine |
Three related questions for my
personal reflection and, perhaps, your own.
- Is my photography better than it was eight or ten years ago?
- If yes.Is it me, or the software that has improved?
- And has my "Eye" changed over the years?
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| Among the Rocks, Portland Head |
As I was reviewing my Atlantic coast
images in anticipation of last weeks article on photographing coastal surf, I
became distracted by a picture that I took of the rocks under the Portland Head
Lighthouse back in 2008. The shot was challenged by the presence of
the brightly illuminated lighthouse above the contrastingly deep shadows on the
rock strewn beach. I had done the best I could, using my capability with
the available tools, to bring the scene's wide dynamic range into balance,
but I thought that using current editing software and my understanding of their
use, I could do a better job. And then I was pleasantly sucked down the rabbit hole.
I went to the Maine coast images
from those days in May of 2008 and started looking for the rocky shore among the original unedited
files. Before I could find the image, I was diverted by all the interesting
angles that I had captured of the iconic Portland Head Lighthouse.
Looking at the pictures with
"new" eyes, I was struck by the number of fresh and interesting
perspectives. I wondered why I hadn't worked on many of these images
immediately after they were captured. I am sure that I am now a better
photographer when it comes to the technical aspects of capturing an image.
I believe that I'm more skilled at handling difficult light and composition and
I can get more from my images during post-processing, but what about my
"eye".
There can be no question that the
capabilities of today's image editing software is much greater than it was 7 or
8 years ago. New versions of Lightroom and Photoshop make it possible to
better tame the extremes of wide dynamic range, in either a single image or
multi-image HDR. Auto-alignment and Auto-blending tools allow the use of
focus stacking to capture previously impossible depth of field, and color
balance and vibrancy controls capture a rich gamut of color. In many blog articles, I have extensively discussed how all these capabilities have changed the
process and the content of what can be considered "Getting it Right in the
Camera", but have all these 
layers of technical "craft"
distracted from the simple wonder of being part of the scene. Looking at
my pictures from 2008, I question whether today I would miss the full range of
possibilities within the location by virtue of spending too much time arduously
crafting just one or two images. Just review last week's article in which
I contrived to capture 7 or 8 images to blend into a single picture with full
DOF and the perfect wave. On my shoot at Nubble light I captured a total of 775
images, but from all of those pixels I ended up so far with only 3 unique
scenes. I love the results but was it worth the potential loss of 5 or 6
other interesting perspectives of this classic location, and has my focus on
the technical aspects of photography altered my natural eye for light and
composition. |
| Window on Ram Island Ledge |
The Eyes Have it
Despite the importance of technical
ability in photography, I still believe that by far the most important quality
that a good photographer can have is his or her "eye", the ability to
balance the components of a scene to create a composition that draws the viewer
through the picture to settle on the focal point of the image, and most
importantly, on the emotion of the scene. Exposure, focus, and color are
all important, but without that balance of composition, the image will be a
failure and, conversely, given an unusually strong composition all the rest may be of minor
importance.
So, has my eye changed?
Perhaps. I believe that the combination of experience and
technology has allowed me to capture individual images with greater precision
and quality, but I may also be missing a bit of my old spontaneity and wonder.
I refuse to accept this as an inevitable consequence of growing older and
my new plan is to try to be more open during my shoots. I don't think it
is possible or even fully desirable to shelve all of my hard won skills , but
my goal will be to come home with fewer pictures of the same thing and more of
a wide range of perspectives. I'll start with simple exercise that might
be of help to us all.
One and Done
It seems simple. Go out on a
shoot and consciously limit yourself to just one shot of each composition.
OK, maybe this will actually be unnecessarily difficult. I will
let you take a couple images to get the exposure right, but then, take the time
to pick one optimal focus point and shutter - click and move on. Come
home with 30 different pictures instead of 10 images of just 3 scenes. The results may lack technical precision, but I'm guessing that, like I
discovered in my 2008 lighthouse images, you will find some refreshing
perspectives.
A Main Street "One & Done"
I wrote much of this article while
sitting outside the Bagelworks Cafe in Keene New Hampshire and, after
finishing, I decided to try my "one and done" approach to a stroll
along Keene's beautiful Main Street. I tried to capture a large
collection of images that reflected Keene's vibrant downtown. Few grand
heroic perspectives, but instead I tried to notice the detail that I would
normally pass right by. It was great fun and I look forward
to more of this once I can manage to place one foot
The Hip Comes First
My plan is to show the images from my "One and Done" exercise in next week's blog, but sadly, tomorrow I go in for a hip replacement, and it is equally likely that my next article will be filled with 30 imaginative ways to capture the view from my bed and chair, and perhaps a few of Susan growling about my incessant whining.
Keene Art Walk
Next
week I will be showing a few of my pictures in the windows of the
Keene Housing office on Central Square, a small part of Keene's annual
Art Walk. The Art Walk is a great community event with stores up and
down Main Street hosting displays of the widely varied work of local
artists. It all makes for a lovely early summer stroll and a great
chance to capture fresh perspective on your photography.Jeffrey Newcomer
