About Me

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Spofford, New Hampshire, United States
Jeff Newcomer had been a physician practicing in New Hampshire and Vermont for over 30 years. Over that time, as a member of the Conservation Commission in his home of Chesterfield New Hampshire, he has used his photography to promote the protection and appreciation of the town's wild lands. In recent years he has been transitioning his focus from medicine to photography, writing and teaching. Jeff enjoys photographing throughout New England, but has concentrated on the Monadnock Region and southern Vermont and has had a long term artistic relationship with Mount Monadnock. He is a featured artist in a number of local galleries and his work is often seen in regional print, web publications and in business installations throughout the country. For years Jeff has published a calendar celebrating the beauty of The New England country-side in all seasons. All of the proceeds from his New England Reflections Calendar have gone to support the Pulmonary Rehabilitation Program at the Cheshire Medical Center. Jeff has a strong commitment to sharing his excitement about the special beauty of our region and publishes a blog about photography in New England.
Showing posts with label Royalston. Show all posts
Showing posts with label Royalston. Show all posts

Sunday, November 10, 2013

Autumn Revisited


The Color is Gone, But not Forgotten
Mine Ledge, Hinsdale, NH






Hemlock Gateway, Colors at Home




There are still patches of brown foliage on the oaks and the persistent yellow of the beach groves, but my New England autumn is winding down to the last gasps.  As always, I'm exhausted and ready for long quiet hours with a cup of coffee at my desk working through the hundreds of late September and October images.  I say it every year, but it is worth repeating, thank god for the dull colors of November!




Otter Brook, Roxbury, NH
As I work my way through the autumn splendor, this seems like a good time to review the season and share some of this year's
bounty.   I'll let Jeff Foliage provide the final official verdict, but overall I think it was a good fall, not the best for weather or color but probably a bit better than average. The color seemed to come early, but I suspect this is a general manifestation of the warming climate.  We had one major wind and rain storm in early October which striped some of the brightest color.  The weather was often overcast, but that is not a tragedy for the capture of the rich colors of the season and the rain managed to keep the streams flowing.  As always, the season was expanded by small patches of early color in the damp areas and by the surprising color in the occasional late bloomers.  



Vermont's Route 100
Top of the Valley, Hnacock Vt
Most years I try to get a head start on the color by heading north.  This year I traveled up Route 100 along the central spine of Vermont.  My eventual goal was the dramatic Moss Glen Falls in Granville, Vermont.  The falls were great especially during the brief periods when the bright sun slipped behind the clouds.  There
Moss Glen Swirl, Granville, Vt
was
quite a crowd at this road-side attraction, but I was still able to catch some nice fresh angles on this old favorite.  The trip was about 100 miles each way and it gave me the opportunity to judge the progress of the fall change and get an early sense of the quality of the color.  On that day, in late September, the foliage seemed to blossom around the Killington area.







 
Autumn Boil, Chester, VT



 
Camden Harbor Sunrise
A Maine Coast Escape
Just as the colors were building at home Susan and I headed over to the Camden area to spend a few days on the Maine Coast. It was a lovely escape.  The colors were a bit early along the shore, but I did get some nice shots of the morning light on Camden and Lincolnville Harbors and a lovely sunset at the always dramatic Marshal Point Light.  I was nervous about missing some of the best color at home, but it was while we were away that the intense wind and rain storm hit the Monadnock region.  







 
Marshall Point Light, Port Clyde, Maine
  



 
Hancock, NH
The damage was not as bad as I had feared but the storm did seem to accelerate the season.  Of course through all of this I spent every available moment looking for color throughout the region.  I roamed the back roads of both the Monadnock Region and southern Vermont, simultaneously scanning for grand landscapes and intimate color details.  It was enough to make me dizzy, but there was always the feeling that any time spent away would mean risking the one spectacular image of the year.  I was convinced that the best weather was confined to the days that I was stuck in the office.  In other words, I was fully captured by Autumn Fever. 

 



Follow the Color
As usual, this year I tried to extend the season by following the
Pumpkin Festival Race, Keene, NH
color from north to south.   It started with a drive up Route 100 to Moss Glenn Falls, and our sea coast interlude.  In the middle of the season, I explored more locally including lovely farm land in Chesterfield, Walpole, Hancock and southeastern Vermont.  We had great weather for the Keene Pumpkin Festival and when I wasn’t lighting candles I got nice light both early in the morning and at night in the midst of the celebration of Keene’s new World Record for lit Pumpkins (30,581).  As the colors began to fade locally I went south to shoot at Doane’s Falls in Royalston Massachusetts.
 
Doanes Falls, Royalston, Ma.



Embrace the Clouds
Field of Asters, Walpole, NH
Limit the Sky
Throughout the season we had a mix of sunny and overcast / misty weather.  In general, I prefer the softer light which allows the
autumn colors to shine through the glare.  The keys to shooting in overcast conditions are to concentrate on more intimate colorful scenes rather than grand hillside panoramas, and to limit or eliminate the dull gray skis.  Problems with flat uninteresting skies have been improved with the capability of powerful editing software, such as Photoshop and Lightroom 5 to salvage detail in the
Color and Sky, Walpole, NH
Embrace the Sky
highlights.  Although zooming in on the color is still a good solution, I find recently that I have been including more brooding gray skies in my images. A polarizing filter is a must on bright days, but it can also add depth to the color when the light is diffused.  The effect is often subtle but noticeable especially if the leaves are damp and reflective.  The combination of soft light and a polarizer is also the best combination for capturing lacy waterfalls against the autumn glow.




Tame the Brilliance
Hunts Pond, Hancock, NH
We had a few classic brilliantly sunny days this year.  These are the days that most often come to mind when we think of the “glorious colors” of fall, but they do offer special challenges for photography.  The high contrast and reflections tend to mute the colors, but here again a polarizing filter can make a
Reflected Sunset, Chesterfield, NH
significant difference.  Sunny days are best for broader autumn landscapes, but on these days I most often think about looking into the sun.  The trans-illuminating light works to ignite the foliage.  The effect is especially striking when the electric yellows and reds are contrasted against a deep blue sky. Of course we need sunlight to capture beautiful sunrises and sunsets, but the the most dramatic results come from a mixture of light and clouds. The warm light of the golden hours can only be fully appreciated by capturing what it illuminates, and, when there are no clouds, 
we often need to step back and celebrate the glow on the foreground elements.



Trans-illumination, College Bridge, Henniker, NH
 
Well I have to get back to work.  I love settling back and scanning my images from the season.  Each time I find new perspectives and I can't wait to discover the beauty which is held within those little piles of pixels.  Stay tuned.

Bald Mountain, Camden Maine

Sunday, October 20, 2013

Photoshop Photography Program




Lower Doane's Falls, Royalston, Massachusetts


Such a Deal
Like many Photoshop fans, Adobe's announcement this spring of the Creative Cloud was annoying and disconcerting. Since Photoshop has been an essential part of my creative workflow, I have been upgrading my versions of the program since Photoshop 5. I have always felt that keeping up to date was part of the routine cost of doing business. What price do you put on magic that keeps getting more magical every year.

Subscription Shock
Adobe's switch to a subscription model was a shock. We were told that former users of the program could subscribe to Photoshop CC for the first year at a monthly rate of $9.95. Not too painful, but after the first year the cost would go up to the regular, one

Standard One Application "Deal"
application, price of 19.99. At $240/ year, things were getting pricey and then there was the problem that if I canceled the subscription, I would have nothing but my, increasingly obsolete, last purchased version, CS 6. It seemed like Adobe was attempting to enslave us to be part of their guaranteed cash flow. I felt trapped and betrayed by an old friend. I had just bought Lightroom 5, primarily for the data base, but I was considering using that as my RAW editor and my CS6 whenever I wanted to push pixels. After much agonizing, I finally decided to go with Photoshop CC for the first year and then decide if it was worth paying the price to continue.

The Uproar
There were legions of loyal customers out there in the same dilemma and Adobe heard the screams. We are all willing to pay for powerful tools to perfect our images, but we don't want to feel abused and taken for granite. To their credit Adobe listened and, recognizing the special needs of photographers, came up with a much more reasonable deal.

The Photographers Creative Cloud
In early September, the Photoshop Photography Program was 
announced. It not only includes Photoshop CC, but also Lightroom 5, 20 GB of cloud storage, a Behance ProSite, and ongoing upgrades and updates,  all for $9.99/month. That is what I was paying for Photoshop CC alone and is cheaper than what It used to cost to purchase the regular updates of these programs. Seems to be a no-brainer, but there must be a catch.
http://blogs.adobe.com/creativelayer/introducing-the-photoshop-photography-program/

There is Always a Catch
The first catch is that the program is only available to those with a registered copy of Photoshop CS3 or later and you must "join the
cloud" by December 31, 2013 The 
Lightroom 5
Plan requires an annual commitment with monthly billing. There is no automatic doubling of the cost after the first year, but the fine print makes it clear that Adobe reserves the right to increase the price after that. In my chats with the folks at Adobe Support, I was told that there is no current plan for an increase, but who knows. I find it difficult to believe that Adobe would create this program only to enrage everyone again after the first year, but at some point, it is inevitable that the price will increase. Of course Adobe will always have the power to adjust the price of their products, but for the time being, I prefer to believe that this a good faith effort to meet the needs of their loyal customers. For years Photoshop has held a unique position in the market, but there are lots of competitors out there who would love to scoop up flocks of disgruntled photographers. Photographers have a low threshold for "disguntaltude".  It is now a word - feel free to use it!

Biting the Bullet
So last week I finally made the switch to the Photographer's Plan. It
was a bit confusing for the Adobe folks since I had to cancel myPhotoshop CC subscription and then sign up for the new plan, 
Photoshop CC
but everything seems to be working fine. I updated my Lightroom 5 and Photoshop CC and now all I have to do is wait to see if I get charged twice. For me it seems like a good deal, especially as I have altered my workflow to use Lightroom 5 as my importer and RAW developer. I will talk another time about how excited I am to finally get into Lightroom, but who else should snap up this deal from Adobe.

The Photographer Plan seems made for those of us who update Photoshop regularly. This appears especially true for those who use
Lightroom as well, but for Photographers who rely on Photoshop
Upper Doane's Falls
alone, it is great chance to try this powerful image management software. Who knows what other deals Adobe might eventually offer, but, at least for now, if you don't have a licensed copy of CS3 or later, or if you miss the December 31st deadline, your photoshop updates will come through the cloud at the $240 per year price. For now Adobe is planning to continue to sell and update licensed copies of Lightroom. Many people are happy using Lightroom for photo management and editing, but Lightroom alone will not qualify you for the Photographer's Plan.

Overall I think photographers have been happy with Adobe's special deal. It give us what we need without charging for a lot we don't. I can live with it at least until the next announcement from my Adobe overlords.  I would love to hear what you think of this new offering.


For more info:

Photoshop Photography Program


Jeffrey Newcomer
Partridgebrookreflections.com