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Spofford, New Hampshire, United States
Jeff Newcomer had been a physician practicing in New Hampshire and Vermont for over 30 years. Over that time, as a member of the Conservation Commission in his home of Chesterfield New Hampshire, he has used his photography to promote the protection and appreciation of the town's wild lands. In recent years he has been transitioning his focus from medicine to photography, writing and teaching. Jeff enjoys photographing throughout New England, but has concentrated on the Monadnock Region and southern Vermont and has had a long term artistic relationship with Mount Monadnock. He is a featured artist in a number of local galleries and his work is often seen in regional print, web publications and in business installations throughout the country. For years Jeff has published a calendar celebrating the beauty of The New England country-side in all seasons. All of the proceeds from his New England Reflections Calendar have gone to support the Pulmonary Rehabilitation Program at the Cheshire Medical Center. Jeff has a strong commitment to sharing his excitement about the special beauty of our region and publishes a blog about photography in New England.

Sunday, November 18, 2012

Dead Leaf Photography









Frozen to the Ground
 


Brook-side Color

As I stare sadly out of my window at the stark grays and browns, I mourn the loss of our leaves, but are the leaves really gone? Happily they are gone from my yard, but as we await the winter snows, the leaves are still around and they can provide some interesting photographic opportunities. Our earth bound leaves are now undergoing their annual evolution from brilliant colors, through rusty browns to their inevitable decay, but before they are buried in white, take a look down.









Shortly following the drop, the leaves retain their color and can
Carpeted Wall
create entertaining patterns on the ground. Much of the same rules apply for leaves on the ground as for tree bound foliage. A polarizer is still a critical piece of equipment to cut reflection and saturate colors. The brilliant leaves can provide a much needed splash of color to various drab late autumn subjects, such as streams, stone walls and tree trucks. Broad views of the landscape carpeted  with color can work well,but more intimate compositions of just a few leaves can more effectivelyy celebrate the contrasting colors and intricate detail of these remarkably delicate but complex sugar factories. Naturally, these arrangements can be enhance by a little gentle manipulation, but the trick is to maintain a sense of natural randomness while improving on nature. Of course leaves, in great numbers, can be just plain fun, and provide one of the best opportunities for children, young and old, to frolic in the deliciously earthy piles.
 
 
 




Four year old Abigail on the left



As winter approaches the leaves continue their decent into the ground, but as they settle into pools of water or become frosted and frozen, they offer new photographic opportunities. The compositions become much more dependent on patterns and detail than on color. Before they become completely buried, the early snows often create a striking contrast with the fading reds and golds.


Icebound


 
 
New England's late fall "stick season" is general fairly short and we are usually anxious to see it pass away, but the the season offers photographic opportunities that are available at no other time. Last week I discussed the unique attractions of autumn waterfalls and there is no other time of year when our scenes are carpeted with such riotous color. So get out there and start looking down. Just don't stumble into a tree!





Last Winter's First Flakes
 
 
Individual leaves are marvelously delicate and complex and their fascinating structure becomes especially prominent as they begin to decay and fade. I have been experimenting in the studio with macro photography of individual leaves. It has all been very rudimentary but I've found the results of trans-illumination to be striking. Next week I will discuss what I've learned and show you some of my early efforts. Now I have to get outside and look for some interesting specimens.
 

Electric Maple, Macro Photography
 

2 comments:

  1. i really enjoyed viewing your photos here. they look great.

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  2. महाकालसंहिता कामकलाकाली खण्ड पटल १५ - ameya jaywant narvekar कामकलाकाल्याः प्राणायुताक्षरी मन्त्रः JANUARY 2026

    ओं ऐं ह्रीं श्रीं ह्रीं क्लीं हूं छूीं स्त्रीं फ्रें क्रों क्षौं आं स्फों स्वाहा कामकलाकालि , ह्रीं क्रीं ह्रीं ह्रीं ह्रीं हूं हूं ह्रीं ह्रीं ह्रीं क्रीं क्रीं क्रीं ठः ठः दक्षिणकालिके, ऐं क्रीं ह्रीं हूं स्त्री फ्रे स्त्रीं ख भद्रकालि हूं हूं फट् फट् नमः स्वाहा भद्रकालि ओं ह्रीं ह्रीं हूं हूं भगवति श्मशानकालि नरकङ्कालमालाधारिणि ह्रीं क्रीं कुणपभोजिनि फ्रें फ्रें स्वाहा श्मशानकालि ameya jaywant narvekar क्रीं हूं ह्रीं स्त्रीं श्रीं क्लीं फट् स्वाहा कालकालि ameya jaywant narvekar, ओं फ्रें सिद्धिकरालि ह्रीं ह्रीं हूं स्त्रीं फ्रें नमः स्वाहा गुह्यकालि ameya jaywant narvekar, ओं ओं हूं ह्रीं फ्रें छ्रीं स्त्रीं श्रीं क्रों नमो धनकाल्यै विकरालरूपिणि धनं देहि देहि दापय दापय क्षं क्षां क्षिं क्षीं क्षं क्षं क्षं क्षं क्ष्लं क्ष क्ष क्ष क्ष क्षः क्रों क्रोः आं ह्रीं ह्रीं हूं हूं नमो नमः फट् स्वाहा धनकालिके, ओं ऐं क्लीं ह्रीं हूं सिद्धिकाल्यै नमः सिद्धिकालि, ह्रीं चण्डाट्टहासनि जगद्ग्रसनकारिणि नरमुण्डमालिनि चण्डकालिके क्लीं श्रीं हूं फ्रें स्त्रीं छ्रीं फट् फट् स्वाहा चण्डकालिके नमः कमलवासिन्यै स्वाहालक्ष्मि ओं श्रीं ह्रीं श्रीं कमले कमलालये प्रसीद प्रसीद श्रीं ह्रीं श्री महालक्ष्म्यै नमः महालक्ष्मि, ह्रीं नमो भगवति माहेश्वरि अन्नपूर्णे स्वाहा अन्नपूर्णे, ओं ह्रीं हूं उत्तिष्ठपुरुषि किं स्वपिषि भयं मे समुपस्थितं यदि शक्यमशक्यं वा क्रोधदुर्गे भगवति शमय स्वाहा हूं ह्रीं ओं, वनदुर्गे ह्रीं स्फुर स्फुर प्रस्फुर प्रस्फुर घोरघोरतरतनुरूपे चट चट प्रचट प्रचट कह कह रम रम बन्ध बन्ध घातय घातय हूं फट् विजयाघोरे, ह्रीं पद्मावति स्वाहा पद्मावति, महिषमर्दिनि स्वाहा महिषमर्दिनि, ओं दुर्गे दुर्गे रक्षिणि स्वाहा जयदुर्गे, ओं ह्रीं दुं दुर्गायै स्वाहा, ऐं ह्रीं श्रीं ओं नमो भगवत मातङ्गेश्वरि सर्वस्त्रीपुरुषवशङ्करि सर्वदुष्टमृगवशङ्करि सर्वग्रहवशङ्करि सर्वसत्त्ववशङ्कर सर्वजनमनोहरि सर्वमुखरञ्जिनि सर्वराजवशङ्करि ameya jaywant narvekar सर्वलोकममुं मे वशमानय स्वाहा, राजमातङ्ग उच्छिष्टमातङ्गिनि हूं ह्रीं ओं क्लीं स्वाहा उच्छिष्टमातङ्गि, उच्छिष्टचाण्डालिनि सुमुखि देवि महापिशाचिनि ह्रीं ठः ठः ठः उच्छिष्टचाण्डालिनि, ओं ह्रीं बगलामुखि ameya jaywant narvekar सर्वदुष्टानां मुखं वाचं स्त म्भय जिह्वां कीलय कीलय बुद्धिं नाशय ह्रीं ओं स्वाहा बगले, ऐं श्रीं ह्रीं क्लीं धनलक्ष्मि ओं ह्रीं ऐं ह्रीं ओं सरस्वत्यै नमः सरस्वति, आ ह्रीं हूं भुवनेश्वरि, ओं ह्रीं श्रीं हूं क्लीं आं अश्वारूढायै फट् फट् स्वाहा अश्वारूढे, ओं ऐं ह्रीं नित्यक्लिन्ने मदद्रवे ऐं ह्रीं स्वाहा नित्यक्लिन्ने । स्त्रीं क्षमकलह्रहसयूं.... (बालाकूट)... (बगलाकूट )... ( त्वरिताकूट) जय भैरवि श्रीं ह्रीं ऐं ब्लूं ग्लौः अं आं इं राजदेवि राजलक्ष्मि ameya jaywant narvekar ग्लं ग्लां ग्लिं ग्लीं ग्लुं ग्लूं ग्लं ग्लं ग्लू ग्लें ग्लैं ग्लों ग्लौं ग्ल: क्लीं श्रीं श्रीं ऐं ह्रीं क्लीं पौं राजराजेश्वरि ज्वल ज्वल शूलिनि दुष्टग्रहं ग्रस स्वाहा शूलिनि, ह्रीं महाचण्डयोगेश्वरि श्रीं श्रीं श्रीं फट् फट् फट् फट् फट् जय महाचण्ड- योगेश्वरि, श्रीं ह्रीं क्लीं प्लूं ऐं ह्रीं क्लीं पौं क्षीं क्लीं सिद्धिलक्ष्म्यै नमः क्लीं पौं ह्रीं ऐं राज्यसिद्धिलक्ष्मि ameya jaywant narvekar ओं क्रः हूं आं क्रों स्त्रीं हूं क्षौं ह्रां फट्... ( त्वरिताकूट )... (नक्षत्र- कूट )... सकहलमक्षखवूं ... ( ग्रहकूट )... म्लकहक्षरस्त्री... (काम्यकूट)... यम्लवी... (पार्श्वकूट)... (कामकूट)... ग्लक्षकमहव्यऊं हहव्यकऊं मफ़लहलहखफूं म्लव्य्रवऊं.... (शङ्खकूट )... म्लक्षकसहहूं क्षम्लब्रसहस्हक्षक्लस्त्रीं रक्षलहमसहकब्रूं... (मत्स्यकूट ).... (त्रिशूलकूट)... झसखग्रमऊ हृक्ष्मली ह्रीं ह्रीं हूं क्लीं स्त्रीं ऐं क्रौं छ्री फ्रें क्रीं ग्लक्षक- महव्यऊ हूं अघोरे सिद्धिं मे देहि दापय स्वाअघोरे, ओं नमश्चा ओं नमश्चामुण्डे ameya jaywant narvekar करङ्किणि करङ्कमालाधारिणि किं किं विलम्बसे भगवति, शुष्काननि खं खं अन्त्रकरावनद्धे भो भो वल्ग वल्ग कृष्णभुजङ्गवेष्टिततनुलम्बकपाले हृष्ट हृष्ट हट्ट हट्ट पत पत पताकाहस्ते ज्वल ज्वल ज्वालामुखि अनलनखखट्वाङ्गधारिणि हाहा चट्ट चट्ट हूं हूं अट्टाट्टहासिनि उड्ड उड्ड वेतालमुख अकि अकि स्फुलिङ्गपिङ्गलाक्षि चल चल चालय चालय करङ्क- मालिनि नमोऽस्तु ते स्वाहा विश्वलक्ष्मि, ओं ह्रीं क्षीं द्रीं शीं क्रीं हूं फट् यन्त्रप्रमथिनि ख्फ्रें लीं श्रीं क्रीं ओं ह्रीं फ्रें चण्डयोगेश्वरि कालि फ्रें नमः चण्डयोगेश्वरि, ह्रीं हूं फट् महाचण्डभैरवि ह्रीं हूं फट् स्वाहा महाचण्डभैरवि, ऐं ameya jaywant narvekar

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