Getting to Know Your New Camera

Indian Pond : Canon 5D Mark IV : Nice Dynamic Range

Sure is Pretty

I have been shooting with my trusty Canon 5D Mark 2 for about 7 years.  Seven years is an eternity for digital technology, but Canon has not been quick with innovation in there 5D series.  I decided not to upgrade when the Mark 3 came out.  I just didn’t feel that the improvements were worth the increased in price.  It was missing many of the features that I was looking for as part of a truly innovative step forward.  I thought that advanced features, such as GPS, WiFi, intervalometer, increased image bracketing, a touch screen with an articulated LCD screen, 7 fps, and 4k video would come quickly, but Canon had stuck with the Mark 3 for years.  Now that the Mark 4 is finally out, with almost all these features and more, I had to breathlessly take the leap.  

Upward : Mark IV

From my early experience with this camera, I am very pleased.  Compared to my Mark 2, the image quality is in another world and the features meet most of what has been on my wish list.  The one disappointment is that the articulated LCD is missing.  Given the ubiquitousness of this feature, it seems an unnecessary omission, but I’m not here to quibble.  I’ll just glory in all the new stuff I get to work with.

Sunset Shore, Spofford NH
Canon 5D Mark IV

It has been awhile since I acquired a new high end camera, and I thought it would be a good time to discuss a few key elements and functions with which to becoming familiar in any a new camera.  Fortunately for me, when compared to my 5D Mark 2, the Mark 4 has a familiar layout of controls.  I don’t have to retrain my muscle memory for many of the essential buttons and dials, but there are still some basic steps required to become familiar with these remarkably capable tools.

The Basics

As soon as you open the box, before the new camera smell fades, and before you take a single shot, there are a few basic steps to get your camera ready to go.

Batteries
Charge the battery and get a second battery to keep charged and ready in your bag at all times.  You should never risk running out of juice in the middle of an important shoot.  There are few electrical outlets in the forest.

Memory
Confirm that you have the right memory card and have extras.  With bigger sensors, image files are getting massive.  Make sure that your cards have sufficient capacity and that they are fast enough to keep up with the pace of your shooting.  Especially with 4k video, only the fastest read speeds will serve.

Filters
Before I take my new camera out into the nasty, dusty, environment, I always take measures to protect my lens.  Sure, new cameras always come with a lens cap, but it has been my experience that you can’t capture many pictures with the cap on.  A simple clear, or UV filter, can provide an extra level of protection

Disaster Avoided

when you are shooting, and I will often order the filter when I order the camera.  Some photographers question the value of placing an additional piece of glass in front of your lovely expensive lens, but for me, this simple protection has avoided disaster on numerousoccasions.  It is shocking how expensive these simple filters can be, but I never skimp on my filters.  Don’t put a piece of cheap plastic in front of your beautiful multi-coated, multi-element glass.  

While we are discussing filters, you might as well add a polarizing filter to your order.  It is THE one essential filter especially for landscape photographers. 

LCD Protection
You can choose to get a piece of plastic or glass to protect the LCD from scratches and cracks.   Just make sure that your touch screen will work through the added layer, and that the screen is clean before you apply the protector.  I never took this precaution on my Mark2 and, after seven years, I do have a few scratches and even one small crack, but nothing that has affected the camera’s function.

·   Struggle with the Camera Strap:
Anything you can do to reduce the risk of dropping your precious baby is definitely worth the effort.  I like to replace the corporate strap with one that is more comfortable, functional and that doesn’t scream to the world that I am packing an expensive, mugger attracting, camera.

·  Camera Bag:

Bagophilia, a Common Affliction

Do I need to say that you should protect your gear in a camera bag that is comfortable to carry and provides easy access to your camera.  I belong to a bag support group which helps me deal with my pile of thirteen bags!  Again it is a good Idea to look for a camera bag that doesn’t LOOK like a camera bag.

·   Add Your Camera to your Insurance

Whether you have separate insurance for your photography business or add your camera equipment to a rider on your household policy, you should not waste any time getting your new camera listed, including the value and serial number.  Stuff happens!

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Ok.  I suppose you actually want to take pictures with your lovely magic maker.  There is a lot to consider as you become acquainted.  Here are just a few suggestions, but it all comes down to, practice, practice, practice. 

Practice, Practice, Practice

Make Lots of Mistakes, Learn from them
and
Read the Damn Manual

 
Most camera manuals have “QUICK START” section which should get you going in a couple of pages.  Don’t expect to get through the full manual in one sitting.  My manual for the Mark 4 is almost 700 pages long.  Most of it is a reference, not a novel and it will be solving my insomnia for months to come.

The first, and the most obvious, point to make is that practice is essential in becoming familiar with your camera’s controls.  Experiment with all of the settings and carefully review the results.  Don’t take a new, untried, camera on an important shoot.  You don’t want all the pictures from that critical family gathering to be hopelessly overexposed and out of focus. 

Foot Photography

I always suggest that you settle onto the couch, enjoy a glass of wine and try all the setting while shooting pictures of your foot.  Fortunately, with digital cameras, the results can be immediately reviewed and corrections made.  Learn how to figure out what went wrong by examining the details from each shot, not only by reviewing the LCD screen, but also by studying the image’s EXIF Data.  The EXIF data is embedded in each image and includes a mass of information, including the f-stop and shutter speed, ISO and file type.  Eventually, you may not want all the image data to show up on the screen after each shot, but while learning, it is essential to have that immediate and specific feedback.

Start by understanding the location and function of the essential controls.

Find the Essential Controls:
Discover what is familiar and what is different from your previous camera.  Even cameras from different manufacturers tend to follow similar schemes.   Find the labeled diagram with all the buttons and dials.  Only a few will be needed to get you started.  It all starts with the shutter.

 

• Shutter(duh)
• Shooting modes (Aperture & Shutter priority, manual),
• ISO 
• Exposure Adjustment
  
  
• Auto Focus
  
  
• Image Types

Once you have found the essential controls it is time to start playing.   Isolate the individual controls and experiment with them one at a time. Resist the urge to run out and shoot randomly.  I know the feeling, but you will get there faster with a systematic approach.

Exposure Control

Add caption

Shooting modes, Aperture and Shutter Priority, Manual, and ISO, all have their effect on exposure, but they also have secondary effects.  These include depth of field, motion capture, sharpness, and noise, that are important to understand during the early exploration of your camera’s features

Exposure,the Basics and More

Know the Secondary Effect

Aperture Priority: Depth of Field
 
 In aperture priority exposure is determined by the size of the opening.  That is simple enough, but you should explore the depth of field with various apertures.  DOF is dependent on the size of the aperture, but it is also affected by the size sensor.  For any f-stop, the DOF is much greater on the tiny sensor of an iPhone than from the ‘full” size sensor of many DSLRs.  

Shutter Priority:  Shake

Slow Shutter : Cotton Candy

Shutter speed directly controls the exposure, but it also affects your ability to capture motion.   The shutter speed’s impact on freezing or blurring motion is obvious, but as you first explore your new camera your question should be, “How fast does the shutter need to be to make it possible to hand-hold a shot”.  Most modern cameras or lenses have some form of shake reduction and a bit of experimentation is needed to determine how slow a shutter speed can be before some form of external stabilization is required.  Of course the “shake limit” is not strictly related to the camera.  It is also dependent on the focal length of the lens, and the amount of coffee you have consumed.  I’m not as stable as I used to be and I keep my monopod or tripod close at hand.

ISO: Noise

Modern cameras have remarkably sensitive sensors that can, with high ISO levels, shoot in low light situations, but, with increased ISO, noise inevitably becomes aproblem.  Again systematic experimentation is necessary to determine how high the ISO can be pushed before the noise becomes unacceptable to your eye.  Larger sensors tend to have less noise at high ISOs, but every camera is different.

ISO Noise Test

Automatic Exposure Schemes

Most camera have an array of choices for evaluating the amount of light reaching the sensor and adjusting the exposure in response.

Different exposure patterns can be selected, including center weighted, spot or various evaluative modes. It takes practice to understand how to select between them, and which works best in different lighting situations.  Evaluative might work well for generally even lighting, while a center weighted mode will be better to deal with the challenges of strong back-lighting.

Auto Focus:

9 point auto Focus : Canon 5D Mark II

Sharp focus is an essential part of capturing a great image, but it is not only about seeing clearly.  The location and depth of clear focus can direct the eye to the important parts of an image and de-emphasize the effect of distracting elements.   

63 focus points : canon 5D Mark IV

Manual focus is functionally simple, but often difficult to nail precisely, especially when viewed through a small, dark viewfinder.  Live view can help zero in on focus, but the ability of auto focus to find and lock on to precise focus is remarkable.  It is a matter of knowing how to give enough direction to the auto focus system so that it knows where you are looking.     

Learn how to activate and hold auto-focus over the desired part of the image.  Most cameras start with the “half press” shutter approach to achieving focus, but you might eventually consider the advantages of “back button focus”.  This typically requires a deep dive into the mysteries of your camera’s menus, but you will find that it can be worth the effort.

Image Types

Images can be recorded in a few different formats, typically Raw, JPG or both.  If possible, RAW is generally the best choice to capture the most amount of image data for eventual editing, but not all camera can shoot in RAW.

Digital File Types

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Practice

That is a very brief look at the first few pages of your massive manual.  It should get you started on an exciting exploration of the incredible capabilities of a modern digital camera.  Don’t be intimidated. To paraphrase a familiar quote, “ 99% of cameras are smarter than 10% of photographers”.   

So just enjoy the journey, and take it page by page.


Jeff Newcomer, NEPG
partridgebrookreflections.com
603-363-8338

Photography Bags and Bagophilia*

Thirteen and Counting

 
Help! I suffer from a devastating ailment which is common among photographers. Bagophilia is the pathological inability to own a sufficient number of camera bags. *

Bagophilia

What is it about photographers and their bags? As a general, rule we can never have enough of them. Over the years I've collected

Contoocook Rush Peterborough NH

bags to match various cameras and projects, and they have increased in capacity as my cameras, and their associated lens' and other accessories, have grown in number and size. Complicating it all is the fact that I never seem able to get rid of the old and seldom used bags. Of course, bag manufacturers are complicit with this disease by creating a never ending supply of temptations, containing shiny new features. We simply must have one more side pocket, strap or a nifty new access system.

I have always felt the special connection that photographers have

Shoulder and Kit Bags for the Road

with their bags, but the depth of that connection was recently brought home to me when I found it necessary to wash my beloved ratty old canvas shoulder bag. I had bought the bag in 2011 to use on a cruise down the Danube between Linz Austria and Budapest Hungary, with an extended stay in the remarkably beautiful city of Prague. I was looking for a relatively small bag that would be easy to carry, and able to fit my DSLR, one additional lens, and necessary accessories.




Bag Left by the Roaring Brook

The National Geographic shoulder bag worked out well and has been my routine "every day" bag ever since. It is nothing fancy but it is amazing the attachment that we develop to our bags. I always thought that the rule for camera bags was the grubbier the better, but Susan finally stole the thing and threw it into the sink to soak away the grimy evidence of years of photo adventures. Over the years I had dragged the poor container through the dirt, spilt coffee on it, left it by roaring brooks, and lit it on fire at my nieces wedding. I reluctantly agreed that it was time for a bath. 





 

The Long Wait

Emptying the pockets, I found all sorts of necessary things that I had forgotten that I had, but the hard part was waiting for my beloved friend to dry on the line. Even in the summer heat, canvas does no dry quickly and, as I watched it recover from yet another indignity, I felt much like Linus watch his precious blanket endlessly tumbling in the drier. It was all I could do to avoid the inclination to suck my thumb. We are now reunited, but I'm embarrassed to admit that,
while I was watching my bag soak in the Woolite, a part of me was hoping that it would shrink to wallet size, giving me the excuse to go shopping for a new shoulder bag. Such is the depth of the camera bag addiction.




Getting a Grip

The most important first step in controlling Bagophilia is to understand the magnitude of the problem, and so, I decided to collect all my bags in one frightening pile. I realized that I had to carefully watch my wife to block her from setting the whole dump on fire. It was a real danger, but it was worth the risk to appreciate the gravity of my condition. I set out to organize my current bags into categories based on type and usage with the goal of finding duplicates that could be safely retired. Of course the real goal was to see what new bags I might justify to fill gaps in my precious collection.


It is marginally easier to justify my bag excess by pointing out that they fall into a few necessary groups.

Constructing a Lame Rationale

Kit Bags

Kit Bags

The first are my kit bags, design to carry a the full range of equipment on shoots. These vary in size depending on the requirements of the day and include both back packs and shoulder bags.

Imps of the Galapagos

My biggest is a gigantic backpack that I got to hold all of my gear for our trip to the Galapagos Islands. It holds two camera bodies and my mid-range zoom, along with a wide angle zoom, a 100mm Macro and my 100-400 telephoto. With Filters, memory cards, spare batteries and other accessories, it was a massive kit and awkward to lug along the trails. The bag barely fit in the overhead compartments and may no longer meet the shrinking limits for carry-on luggage. 

Gigantic Capacity

I learned from that trip that in addition to the big kit bag, it is worthwhile to bring a lighter shoulder bag or pack to carry just the gear needed for the day. It was for that reason that, before our trip down the Danube, I bought my soft canvas National Geographic bag. The empty bag collapsed easily into my suitcase and held all I needed for our explorations from Prague to Budapest.

Charles Bridge, Prague, Czech Republic

It seems that bag purchases are often triggered by trips. Before our recent tour of Alaska, I somehow justified another somewhat smaller backpack by arguing that I didn't want to lug the behemoth along the wilderness trails and that I feared being weighed down in case I needed to escape from a rampaging grizzly. Remarkably, Susan fell for it and I didn't miss the extra big bag.

Hiking the Alaskan Rain Forest

Little Cameras
I have small bags for my two pocket cameras, the Canon G11 and SX50HS. The SX50 with its ridiculous 24-1200mm lens was intended for Susan, but she absolutely refuses to go near the thing. "You're the Photographer!!"  I couldn't agree more, so now I have an SX50HS and also a use for an old fanny pack.

Quick Access

Distant Friends :1200mm Away

A sub-category of kit bags include those that are designed for ease of access to the equipment. I tend to hike with a group non-photographer, power walkers who have no interest in pausing along the trail while I stop to take off my pack to reach my camera. The result is that I end up falling further behind until I finally give up and stroll along on my own. I've tried a couple of packs that allow quick access to gear. The first was a sling pack which rides on one shoulder and can be pulled around to the front, but I found this to be uncomfortable when

Rotation 180 & Sling Bag

carry all but the lightest loads. A much better solution has been my ingenious Rotation180 Panorama bag by MindShift Gear. These bags have a built-in fanny pack which is enclosed within the full pack and can be rotated to the front without removing the
pack from my shoulders.

Fully Rotated

I have the smaller (Panorama) version of the pack with a rotating pocket that can just barely hold my Canon 5D Mark II with the 24-105mm lens. It's a tight fit but would be great for smaller DSLRs or pocket cameras. I think I am working up to justifying getting the more spacious version. In the meantime this pack has allowed me to stay within hailing range of my friends and family as they motor along the trail.

 

Specialty Bags

A Bag for Every Purpose

I have several bags that that were purchased or inherited for use with smaller, and now obsolete cameras. Since I can't throw out these historical artifacts, I have repurposed them to hold special equipment. I use one for my backup Canon 5D, which I still use for extended time-lapse recordings. Another holds my infrared converted Canon 20D. My sound equipment; field recorder, microphone and of course my "dead cat" have there own bag. I even have one bag stuffed with all the unused partitioning panels from all the other bags.

Ok, I am now officially out of excuses and still have several bags for which I have no earthly use. That doesn't mean I will throw them away - It's just part of the disease.

ICK
I thought I had invented the word "Bagophilia", but it turns out I'm not the first to use this term to describe the love of camera bags and, sadly there is another definition.  Before the comments start rolling in from my perverted friends, I should acknowledge that I have discovered that an alternative definition for bagophilia exists.  I regret to report that it has to do with the compulsion to commit unnatural acts with bagels, especially those with cream cheese. More information than I needed - Damn you Internet!

I will stick to the photographic usage!

 

No Bagels Allowed

Through this exercise, I now know that I own 13 camera bags. Sad, but at least I understand their various uses, and I can construct a more reasoned defense against my wife's efforts to get me to thin the herd. Is thirteen to many? No one bag is perfect and I can always discover new niches that could be filled by one more. Besides, thirteen is an unlucky number. I would be much safer with 12 or 14, and we all know 12 is NOT going to happen.

 *Bagophiles Unite!

I would love to hear about how many bags you have tucked in your closet. Perhaps we can start an internet support group. I hope that the other kind of bagophiles have already found the help they so clearly need.



Time to Hit the Trail

My Sad Camera Bag


Jeffrey Newcomer
Partridgebrookreflections.com