About Me

My Photo
Spofford, New Hampshire, United States
Jeff Newcomer has been a physician practicing in New Hampshire and Vermont for over 30 years. Over that time, as a member of the Conservation Commission in his home of Chesterfield New Hampshire, he has used his photography to promote the protection and appreciation of the town's wild lands. In recent years he has been transitioning his focus from medicine to photography, writing and teaching. Jeff enjoys photographing throughout New England, but has concentrated on the Monadnock Region and southern Vermont and has had a long term artistic relationship with Mount Monadnock. He is a featured artist in a number of local galleries and his work is often seen in regional print, web publications and in business installations throughout the country. For years Jeff has published a calendar celebrating the beauty of The New England country-side in all seasons. All of the proceeds from his New England Reflections Calendar have gone to support the Pulmonary Rehabilitation Program at the Cheshire Medical Center. Jeff has a strong commitment to sharing his excitement about the special beauty of our region and publishes a weekly blog about photography in New England.

Sunday, July 20, 2014

Photography Calendars

2015 Cover

Assembling the Right Stuff
I will ask forgiveness in advance for devoting this weeks blog to my experience designing my yearly New England Reflections Calendar. With the deadline for the 2015 calendar coming up next week, I have little time to think of much else. I have been publishing my calendar of New England photography to benefit the Cheshire Medical Center Pulmonary Rehabilitation Program for more than a decade and I hope my experiences will be of some interest to those who publish their own calendars or those who are considering taking on the challenge. 

Last year, and for the first time, I actually got my calendar out on a reasonable date. Our goal has been to have the thing in stores by
The Cover is Critical
the time the students return to Keene State College for the fall semester. This year it means that I need to get the files and my rough layout to the designer by July 25th. In the early years, I had to design the calendar in Microsoft Publisher and then work with the lovely people in the hospital print shop to try to get the images to look something like I had seen on the screen. The results were remarkably good considering that they were coming off of a laser printer that was intended to produce large volumes of hospital forms and not fine art images. The calendars sold well, but they were not of professional quality. 

Beginning in 2010 we made the jump to a professional printer and the differences have been amazing. Not only are the images sharper and more brilliant, but the process for me has been much easier. I now do

May, Peacham, Vt
the initial selection of images and set the rough design in Publisher, but from that point I hand off the images and layout to a designer who prepares the final files in InDesign.  The calendars come back in a couple of weeks all bound and shrink wrapped with a piece of cardboard in the middle to avoid curling. It is wonderful that I don't have to collate, punch and bind hundred of calendars. The calendars are more expensive to produce, but we get a reasonable deal from Silver Direct, Inc, a local printer who does a nice job and is a pleasure to work with. The bottom line is that we get a lovely calendar and most importantly we can still make money for the Rehab Program.

While the process is all painfully fresh in my mind, I thought it might be helpful for those considering putting together a calendar of their own work, to provide a short list of the resources I need to assemble for my yearly project and it all starts with the painful chore of selecting the images.

The Big Pictures
My first step is to assemble a collection of potential images for the large monthly calendars and , of course, for the all important cover

October, Green River, Vt
shot. The first basic criterion is that all the images must be in landscape orientation. Someday I will put together a calendar using portrait oriented images and that year I will have a ton of pictures available that I have been desperate to use.  Although what I do is called "landscape" photography, I love images which feature a wide depth of field and that, more often than not, means shooting in portrait orientation.  Knowing that the
April, Winchester, NH
calendar is coming every year reminds me of an important photographic axiom; "The best time to take a landscape oriented picture is right after you have taken the portrait oriented image". After shooting a portrait image, I always try to remember to flip my camera and look for a composition that will work in landscape mode. This not only works for the calendar but also gives me important options for future clients who may need the landscape view.

Location, Location

March, Rye Beach, NH
My calendar is titled "New England" Reflection, so I can't use any of my spectacular pictures of Prague or the amazing wildlife of the Galapagos Islands, and, to satisfy my audience, I try to include a selection of images from both New Hampshire and Vermont. Traditionally I try to add one sea coast picture and, to provide a break from the endless trees and mountains, I look for at least one wildlife image. This year I knew what my wildlife picture would be even before I clicked the shutter on this year's remarkable Snowy Owls. 

The Seasons
Of course it is tradition that the images should match the season,

January, Spofford, NH - Why Not in July?
but it has always been a source of wonder to me that, in the middle of the nose numbing cold of winter, people would rebel at seeing anything other than a winter scene on the January calendar. I swear that someday my calendar will switch the seasons. Why not a warm summer pasture in February and a refreshingly cold snow covered village to offset the steamy heat of August. I swear, I'm going to do it! I'm retired now and I can do anything I want, I think. Anyway, I digress, you can check out my selections for this year in the Calendar Gallery on my partridgebrookreflections.com web site.

The Little Stuff
After the agony, of picking my twelve images from all those I would like to include, I move on to the other graphics in the calendar. I have to switch my vision to look for complementary banners and thumbnails.

Finding banner images that will complement the main pictures both visually and contextually is often a more difficult task than picking the primary images themselves. I have to scan looking for a slice that will work, understanding that even my least favorite image may contain a sliver that will work perfectly. I move candidates into photoshop and, after setting my crop ratio to the needed 11.25" x 8", I move the crop window up and down to see if something clicks. 


August, Port Clyde, Me

Finally I get to pick images for thumbnail, those little pictures that fill some of the open blocks in the calendar. This is where I get to honor some of the images I would have liked to have included as main monthly pictures. Some of these occasionally show up as big pictures in future calendars.


Once I have selected all my images I have to go back to the original full resolution files and adjust the size, color and sharpness to fit into the calendar. I keep my monitor calibrated and I haven't found a need to apply a separate printer profile to get reasonable color balance. 

The Text

I have always tried to include helpful information in my calendars. 

After the images are ready, I start by writing short informational http://www.timeanddate.com/holidays/us"blurbs" for each image. I try to write a short story which describes something about the location or the process that went into capturing the image. Some picture come with great stories to share, but for others this can be a challenge,  when the only thing I can come up with is "Red Barn".  I do my best, but sometimes I will sacrifice a great image just because I can't find an interesting story to tell.  This year, where appropriate, I've decided to supplement my "Blurbs" with links to complementary articles in my Blog archive. Next, I update the information for the back of the calendar that describes the work and honors all the great things that Pulmonary Rehab does to help our patients who struggle with the challenges of living with chronic lung disease. Finally I have to decide on which holidays to include
My One Portrait for 2015
in the calendar. Federal Holidays are obvious, but which Christian, Jewish or Moslem holidays, AND how exactly do you spell
"(C)Hanukah".  I throw in Groundhog Day, Fathers, Mothers Day and Valentines day (to help out Hallmark), and, sadly for our Native American readers, Columbus Day. Google "holidays" sometime and you will see that it is impossible to include everything and I am bound to piss off lots of very earnest celebrants of National Explosive Ordnance Disposal Day (May 3rd). I do my best. All that is left to add are the phases of the moon and I'm done.


Letting Go
I package all the files onto one or two disks and drop them off at Silver Direct. It usually only takes a week or two to get the PDF

July, Winchester, NH
proof back for review. I have learned to get as many people as possible to proof read the calendar.  I do this to catch the inevitable mistakes and to involve as many critics as possible in the blame for the one or two gaffs that always slip through. One year the printer actually left out a day, just skipped it!, and no one caught the mistake until the calendars were distributed to stores throughout the region. I had to chase down every calendar and insert a sticker strip to correct the offending week. The flawed calendars that I missed are still out there and are undoubtedly valuable collectors items.

So that's my process. If you want to produce your own calendar, I hope this description will be helpful, and not horrifying. I would only add that the best decision I ever made was to donate the profits from my calendar to a worthy cause. It makes the marketing much easier and benefits some very lovely and needy people.  So if you get a chance, buy one (or 10) of my calendars, they make great gifts for a GREAT cause.  I could say more, but I am only half way through my banner images and that deadline is freight training its way to my door. 

Jeffrey Newcomer

Sunday, July 13, 2014

Hanging Art, Showing Your Work at Its Best

First I get some shameless self-promotion.

 I am excited to have a solo exhibition of my New England photography at the Jaffrey Civic Center from July 11th through August 16th. The Center is one of my favorite places to show my work. The downstairs Auditorium Gallery is spacious, well lit, and has an excellent hanging system. Most importantly, the director, Dion Owens , is a delight to work with and has a tireless commitment to supporting the arts in our region. The only challenge of showing at the Civic Center is that the galleries are enormous. Exhibitions in Jaffery are easily the biggest that I have had the opportunity to stage. Thank goodness I framed 13 new pieces for the show, since I ended up hanging all 30 of the pictures that I jammed into my car. Jaffrey is a bit out of the way but the Center is one of the best places to enjoy art in the region and the getting there from Keene leads you down Route 124, which is my favorite scenic road around Mount Monadnock. Come by if you are in the area. The Civic Center is open Tuesdays 10 to 6, Wednesday through. Friday from 1 to 5 and Saturday from 10 to 2 . It is located on Route 124 just west of the town center and almost across the street from Sunflowers Restaurant, an excellent place for lunch or dinner. For more information and directions check out the Jaffrey Civic Center web site, you may even notice some of my pictures scattered through the pages.


 Hanging Art
Enough advertising!  As I Assembled the Jaffrey show, I realized that in my long stated effort to "show the work", I have displayed my photographs in nearly 50 solo shows and group exhibitions. Hanging a show requires considerable effort and care both to display the work to best advantage and to protect the pictures from damage. Over the years I have dropped, bumped and scraped pictures leading to broken glass and scratched frames as well as dislodging dust to float in the frame. Through painful experience I have develop a system to simplify the process and reduce the risk of damage to the work. This includes a simplified approach to packing and transporting the images as well as a tool box of resources that make the hanging easier and more precise.


Life-Time Supply of Corrugated
For years I have used the same plastic bins to transport and store my pictures. I struggled with various materials to protect the images as they bounced around in the bins, but I have finally settled on wrapping each frame in a sheet of corrugated cardboard. I bought a massive roll of the material and have cut sheets that completely unfold the work. There are many different materials to use to protect your work during transportation and storage, but I have found this approach to be simple, economical and effective. I use foam and bubble wrap to stabilize the load when the bins are not tightly filled. When fully loaded the bins can become quite heavy, but my newest container has rollers which makes transport much easier.

The Wrap

The Bins

How's It Hanging?
Over the years I have assembled a collection of tools that make the hanging process much simpler, but he greatest difficulty is that
Wire Hanging System
venues have a wide variety of hanging systems or, all too often, no system at all. I especially hate contributing to the carnage by pound nails into sadly scarred walls. The background looks terrible and the security of the work, suspended from the crumbling plaster, is often quite tenuous. Happily many of my host are learning that the investment in a hanging system is much less expensive than regular wall reconstruction (Are you listening Kristin's Bakery ?). The Jaffrey Civic Center has an excellent system of wire hangers suspended from a simple clean molding on the wall. This is my favorite approach and it is what I use in my own gallery at home. It allows infinite flexibility to adjust both position and height and the walls stay undamaged and clean.


My Hanging Toolbox
The contents of my hanging toolbox has expanded over the years as I have attempted to be prepared for all the possible challenges of different venues.  Given  all the possible scenarios, I recently had to get a bigger box.

What's in the Box
It will NEVER be this clean again
Let's start with the basics, a hammer, screw drivers, wire cutters, needle nose pliers, hanging wire, and various hooks. I have a collection of round and flat S hooks to attach to moldings or wires.  I know that, if I want to be invited back to a gallery, I have to take every precaution to leave the walls undamaged. I use a special hanging putty, called UHU Tac, to attach show lists and other information to the walls without stripping the paint upon removal.   This product attaches easily, is reusable, and is available at most framing stores. Similarly I use painter's tape to stabilize excess wires without causing damage (thanks to Dion for this tip).

Other key elements include a level and measuring implements. I have a tape measure to evenly position the pictures, but for final alignment and especially to adjust the height of the frames, I find it is easier to use a rigid yard stick.  A small foot stool occasionally comes in handy when hooks are especially high.  When I have the flexibility, " I like to arrange the pictures at average eye level and with their bases all at the same height. This is almost impossible to do when I must pound hangers into the walls and in those situations I will often purposefully stagger the picture at different heights. It looks better than having the pictures all slightly out of alignment.  Finally, before I level the pictures I do a detailed inspection and clean smudged glass with ammonia free glass cleaner on a lint free cloth.  I never spray the cleaner directly on the glass since it has a tendency to flow into the frame and contaminate the mat.


Show List

For a few early years, I attached separate labels to the wall next to each image, but this proved to be a hassle with labels falling off and stripping the paint or wall paper. Now I wait until the show is hung and then prepare a single, ordered list of the works to post with the exhibition. I identify the pictures with numbers placed on a lower corner with small white adhesive dots. In addition to the list of works, including titles, locations and prices, I add basic information about my interests and process. The list also provides me an easy way to keep track of the work in each show.


Once the show is hung, plumbed and labeled my last step is to photograph each wall as a further record of the exhibition. Finally, I grab a picture of the outside of the venue to use in my inevitable, self promoting Facebook and blog posts.

Sit Back and Enjoy the Show
I hope you get a chance to visit my show at the Jaffrey Civic Center.  Let me know what you think of the images. There are great places all around to "show the work", so get started on your own hanging tool box.  If you have already assembled your box, I would be interested to hear what you feel is the most essential part of your kit?  I still have a little room in my tool box.

Jeffrey Newcomer

Sunday, July 6, 2014

Done! Retirement and Discipline


Some years ago I captured a picture of a broken down and decaying farm implement descending into the earth of a field in Vermont. I glibly entitled the image "Retirement". Hilarious! But now after 34 years of the practice of pulmonary and internal medicine in rural New Hampshire and Vermont, I find myself wandering out into that overgrown field and wondering where I go from here. My final day of clinical practice was a little over a week ago. I have been looking forward to this day for some time, anticipating the opportunity to devote more effort to my photography and other interests. I am relishing the ability to sleep late and control the pace of my activities, but I'm also sadly aware of the inevitable losses and the need to apply self-imposed discipline to my future endeavors.

Saying Goodbye
Halloween Deb &  Katy

 I will greatly miss the support and friendship of my staff and the interaction with MOST of my patients. Following the announcement of my retirement, I have enjoyed my office "farewell tour" receiving many expressions of appreciation, best wishes and a tsunami of hugs from so many of my friends who just happen to have also been my patients. It is greatly reassuring to know that I am handing them over to
Donna Pushing the Calendars
the excellent care of the physicians and staff of the Dartmouth-Hitchcock Keene Pulmonary Medicine Department, but I hope I can be excused for pointing out that it will take two physicians and a future associate provider to do what I did by MYSELF for nearly 30 years, both in Keene New Hampshire and Brattleboro, Vermont. Of course I was never really "by myself". I could have done nothing without the constant support of the amazing group of women who kept me on task and who managed the endless details of a busy practice. They told me where to sign and I signed. 

"Better Breathers" Heading Out to Cruise Lake Winnepesaukee
Donna Keeping Me on Track
For several years it has been a clinic tradition to recognize retiring
employees with a "retirement tea". The proceedings includea cake and the presentation of a framed print of one of my photographs. It has been nice to contribute to the honoring of so many loyal staff, but I never felt the honor so acutely as when I was presented with one of my own pictures at my 'tea'. What were they to do? Give me someone else's photograph? At least I will be able to celebrate the closing of the circle when I sell the image back to the clinic with the next batch.



So I'm done. What to do now? Obviously photography. Over the last years as my commitment to photographing my special corner of New England has increased I have longed for more time to pursue both the creative and marketing side of the art. After years of struggling over daily decisions which, not to be too dramatic, involved varying levels of life or death consequences, I look forward to the time when my most portentous quandaries are over the choice of f-stop or the selection of an image to submit to a juried exhibition.

 For years retired friends and patients have told me the same thing, "Now that I'm retired, I have no time whatsoever". I have already become aware of the tendency to take everything slower now that I have a less dictatorial schedule. It is lovely to know that if I don't accomplish everything on my daily "to do" list that there is always tomorrow. But there lies the trap, and, knowing myself, I am certain that I will need concrete long and short term goals and a plan to reach them. So here goes.


Long Term:
Photography. Ok, no surprise here. I would like to use my time to expand my vision, not only to include broader coverage of my
New England home base, but also to explore aspects of photography beyond my landscape comfort zone. I have always been drawn to the study of the human face and I would love to delve more deeply into portraiture. It has been my honor to be a member of the New England Photography Guild. The Guild is undergoing a reassessment of its goals and I hope to be part of an expanded commitment to use the great expertise of our members to celebrate the unique beauty of our region and to share our appreciation of high quality photography through classes and workshops. Of course, I will continue my work with the Chesterfield Conservation Commission to protect and promote the natural beauty of my wonderful New England home. Oh, and I better mention that I promised Susan to try to bring some order to my chaotic office and studio.  I can rely on her to keep me on task for that one.

Shorter Term
Given my innately lazy nature some degree of discipline will be required. I have been actually retired for all of about a week, so it is undoubtedly early to formulate a detailed list of retirement resolutions, but here is a quick and preliminary list of some of the goals that I would like to place on my new "task list".

  • Up for sunrise at least once per week. I am old and lazy, but I can no longer use the standard excuse; " I have to get to work today".
  • At least one sunset per week. Much easier to manage.
  • In the studio one day per week or at least a half day to produce physical work.
  • Out of town trip at least once per month.
  • Office promotional work once per week, although lately this seems to consuming most of my time.
  • Blog weekly. I'm approaching 200 blog articles and finding new topics is not getting any easier.
  • Gym at least 3 times per week.  The secret to exercising is just showing up.

Settled In - NOT at the Gym


That's a start, but please don't keep track of the success of my program. After putting this article together I know one early goal should be to try to get more pictures of broken down farm machinery for my portfolio, but I'm retired, and if I don't get it done today, there is always tomorrow. 

Jeffrey Newcomer

Sunday, June 29, 2014

My Carry Around Camera

I have a new "Carry Around" camera and, so far I'm having fun.

Let's face it, we are photographers which means we love gear. I know that there are those out there that preach a minimalist approach to the sport, but given the opportunity and an overpowered four wheel drive vehicle to carry the gear most of us would load up on heavy stuff that we will seldom use. My approach to gear has generally been that the transient annoyance and pain of lugging around a heavy kit is generally over balanced by the years of satisfaction which comes from getting the most out of any photographic opportunity. Just so long as the tonnage doesn't limit my mobility.

While recognizing the value of having my full kit, there are situations where a light and unobtrusive “carry around” camera is nice to have on hand. A small camera is great, for street
Depth of Focus
photography where a massive "professional" device will draw immediate attention. I may be paranoid, but I have also used a small camera in situations where I fear that a big expensive DSLR might be a temptation for pick pockets and muggers. Sorry Equador, but I wasn't going to take my 5D out to capture the street fair at night in Quito. To be fair to South America, I also used my carry around to capture the monuments at night in Washington, DC. Perhaps the most important reason to have a capable small camera is to have it with you wherever you go. The classic rule is, " Your best camera is the one you have with you" and I try not to make that camera my iPhone. My brief case always has a small camera tucked inside for
those unexpected opportunities that seem to pop up on my way to or from work. Whether i'm out to diner with friends or just taking Nellie for a quick "pooper", if I don't expect to capture an 12x18" fine art image, the little camera works just fine.

 For several years my carry around has been a Canon G11. It is a powerful little
Early 1200 mm trial, West River Dragon
camera with full controls and the capability to shoot in RAW, but I never fell in love with the G11. I recently got a Canon SX50 and, although it isn't perfect, photography is always about trade-offs, so far, I think that, if not in love, I am ready at least for a more committed relationship. I have received a lot of questions about how the camera is performing, so I thought I would offer my early impression and show some examples of the images I have been able to capture. I have never done formal product reviews and this is intended as a summary of early and incomplete impressions, with much more exploration ahead.


The Carry-Around Criteria
I should start with a short list of the features I look for in a small carry around. There is no camera out there that meets all these perfectly but it is a good to have some criteria to apply to the search.

Size: The Ideal here is to be able to comfortably slide the camera into your pants pocket. There is some amazingly small camera out there, but invariably the tiny size comes with performance trade-offs including sensor size, zoom range, and controls. I have generally settled for a camera that slips into a brief case or fanny pack, rather than in my pants pocket.

The zoom ranges is especially important with fixed lens
1200 mm, Spofford Lake
cameras. One of the reasons for my lack of strong affection for my G11 is that the zoom is only 5x (24-140mm). The longer the OPTICAL zoom the better, and beware of references to the “Digital” zoom. All this is doing is cropping the image and you can do that better in post. And of course, with longer zooms, image stabilization becomes increasingly important for sharp images.

RAW Capability
After I started shooting RAW, I would never want to go back the baked-in restrictions of 8 bit jpg images.

Range of Controls: 
 I want to have full control of the cameras functions including Shutter and aperture preferred, and manual control. ISO, exposure compensation, white balance and focus control are also desirable.

Ease of Control: The more I can stay away from menus the better. With practice the journey through menus on the LCD can become manageable, but I look for as many adjustments on dials and buttons on the camera as possible.

High definition on many of these little cameras is amazing, but quality sound is generally still a major issue. The old saying is true: “A great movie with crappy sound is still a crappy movie”.

Other Features:
Cable release input, hot shoe to supplement the usually rudimentary built in flash, Tilt/swivel LCD Screen (I don’t get down on the ground as easily as in the past)

Susan has Turned Returning Her Birthday Presents
into an Art Form

A couple of weeks ago I got a new carry-around camera. I started by getting Susan a small camera that would fit easily in her purse, but would have decent focal length range. We are heading to Alaska in August and, if in no other place, I thought Susan might be induced to take a picture of a Grizzly, safely at the end of a very long lens.  I ended up with the Canon SX 500. It was nicely compact and had a 30x zoom. Unfortunately  it couldn't shoot RAW, but I thought it was a nice compromise for her to have easily at hand. Happily, Susan rejected her birthday present insisting that, “You’re the photographer. Why do I need a camera”. It is usually jewelry that she rejects, but this time, a camera. Ok. Great! I went out and got the camera I wanted, but hopefully one that she might still be able to use from time to time and perhaps in Alaska.

Canon SX50 HS
After some further research, I ended up with the Canon 50 HS. The camera is a little bigger, but still quit compact and incredibly light. It is a pleasure to carry it around in a small fanny pack. There are a number of excellent reviews of the camera's strengths and weaknesses and I will only mention a few of the features that I have found interesting.


The obvious, stand-out feature of the SX50 is its 50X zoom. This thing goes from 24mm to 1200mm!, making its lack of
1200mm and Cropped
interchangeable lens' largely mute. I have included a number of my images at the full 1200mm length and in general I have been impressed. At this length a tripod would be recommended to get maximal sharpness, but, so far, the results from my image stabilized, hand held pictures have been surprisingly good. It is helpful to have good light and a high ISO to allow for faster shutter speeds. Of course high ISO's can be an issue for noise. The SX50 has a small sensor, about 30% smaller than the G11, and at ISO's greater that 400-800 , noise can be more of an issue, but I haven't seen much of a difference from the G11. This can't compete with my full frame camera, but so far I have been able to get good results with appropriate levels of noise reduction.
24 mm
1200 mm Uncropped

RAW of Course
The second, must have feature, is that the camera shoots in RAW. Nuf said.

Macro Although the extreme zoom is the stand-out feature of this little camera, I have been espcially impressed with its macro performance. I am experienced with the extremely thin depth of focus from my full size sensor and, although the SX 50 can't match the beautiful bokeh of my 5d Mark II, its tiny sensor can often pull much more of the subject into sharp focus. I can use a single image to capture flowers in sharp focus that would require three or four stacked images from my full frame camera.

The SX 50 has the full range of controls, and those not on the camera body, are accessible though a reasonably simple menu system. I have learned my own lesson and after a short time actually reading the manual, and photographing my feet, I think I have most of the routine controls figured out. It helps that the control scheme is similar to that on my G11.


The camera has the capability to shoot 3 images, applying exposure or focus bracketing. I'm still figuring out how to adjust the range of exposure or focus, but, a few days ago, I did get a reasonable exposure bracket to use in an HDR image of sunset across Huber Farm. The results were not as smooth as my, tripod stabilized, 7 image DSLR version, but still not bad for a hand held three image bracket.

Hubner Sunset, 3 Image Bracket

Of course I have a few gripes about the camera. At f3.5, The lens is
Indian Pond Frog Hunting, Chesterfield, NH
slower than I would like. The manual focus procedure is awkward. A focus ring on the lens would be a great improvement. The electronic viewfinder has poor resolution, but is still helpful when bright light makes the LCD difficult to see. I have noticed that the camera has a tendency to blow out highlights in bright light. There is a dynamic range function that is designed to mute this effect, but I'm still trying to figure out how to make it work. Of course resolution and noise does not compete with the results from my Full frame. The images here look pretty good, but remember these picture are small and can't fairly show the results seen in the full images. I look forward to seeing how far I can go in printing large versions of some of these images.
West River Sunset, Brattleboro, Vermont

There are many more pros and cons I could mention. I haven't even begun to explore the High Definition video capabilities of the camera, but I must remember that the purpose of this article was to respond to requests to see images from my new Carry Around. I can say that the SX50 HS is not a perfect camera. Like all small cameras it encompasses compromises in size, function and image quality, but so far I have been satisfied with the results. I can say I have been having fun shooting with this little camera that has such a big reach and, to me, that is the most important thing. I think I have found a new Carry Around.

Jeffrey Newcomer