- Jeff Newcomer
- Spofford, New Hampshire, United States
- Jeff Newcomer has been a physician practicing in New Hampshire and Vermont for over 30 years. Over that time, as a member of the Conservation Commission in his home of Chesterfield New Hampshire, he has used his photography to promote the protection and appreciation of the town's wild lands. In recent years he has been transitioning his focus from medicine to photography, writing and teaching. Jeff enjoys photographing throughout New England, but has concentrated on the Monadnock Region and southern Vermont and has had a long term artistic relationship with Mount Monadnock. He is a featured artist in a number of local galleries and his work is often seen in regional print, web publications and in business installations throughout the country. For years Jeff has published a calendar celebrating the beauty of The New England country-side in all seasons. All of the proceeds from his New England Reflections Calendar have gone to support the Pulmonary Rehabilitation Program at the Cheshire Medical Center. Jeff has a strong commitment to sharing his excitement about the special beauty of our region and publishes a weekly blog about photography in New England.
Wednesday, April 21, 2010
Wednesday, April 7, 2010
Whenever I travel to the city I am reminded of the annoying fact that crowds of people tend to gather around famous and beautiful sites. This is especially true during Washington's famous Cherry Blossom Festival. Even though the flowers were begining to fade and fall, It was hard to catch a moment when there were not hordes of people in every scene. This view of the Washington Monument was one example. I loved how the single vivid tree was framed by the curving walk-way, drawing the eye up the monument. At first there was just one persisent photographer in the scene capturing the detail of the blossoms. I stuck it out for about five minutes waiting for him to move on and was finally rewarded by the arrival of a whole family of peepers. With my wife becoming increasingly frustrated, I finally decided to give up, and instead took several images with people moving around the scene. Even though the shots were hand-held I was able to register a couple of the images closely enough to allow masking out of nearly all the tourists. One additional thing to remember when doing this kind of editing is that it is important to remove the shaddows cast by the people you have deleted. With just a little minor cloning I ended up with the final, unnaturally prestine, image. It took a little work, but there is something perversely satisfying about "eliminating" people in this nonviolent way.
Wednesday, March 24, 2010
Sunday, March 21, 2010
For Photographers there are really 6 seasons in New England. Winter, Spring, Summer and Fall each holds special image making opportunities, but the challenging seasons are the other two. Between the glorious fall colors of October and the pristine beauty of winter lies November, or as we call it "stick season". Although I try to find photographic opportunities during this barren period, I typically spend my time working on the back-log of autumn images while praying for snow. We are now in that other transition season, which I think should be called "flowing water season". In March the buds begin to show, but the trees are every bit as bare as in November. What saves us is the spring run-off . Waterfalls that for much of the year display a trickling flow explode in glory during this brief period. We all grab our tripods and head out to catch the satiny pattern of flowing water taken in a long exposure. Water NEVER actually looks like that, but who cares!
I finally got out for a few hours yesterday for my end of season "Calendar Tour", circling through the region picking up money and unsold 2010 New England Reflections Calendars. We had a good year, selling over 700 Calendars to benefit the Pulmonary Rehabilitation at The Cheshire Medical Center in Keene, NH. Naturally I was looking for images along the way, but yesterday was a beautiful warm sunny day - it was terrible for flowing water. There are a number of ways to deal with harsh bright light. The first is to get up early and shot during the "golden hour". Unfortunately, since I knew I had to do my store rounds when the stores were actually open, I slept late. One of first places I stopped was in Mill Hollow. The old mill sits next to Camp Brook which drains from Lake Warren in Alstead, NH. The Brook was roaring, but the bright sun was right in my face creating terrible contrast. I grabbed a few miserable pictures, but then noticed a small wisp of cloud that was creeping toward the sun. After about 15 minutes the cloud veiled the light long enough for 3 quick images. The result was a workable shot. I then spent the next 45 minutes jumping from cloud to cloud before finally moving on. By the time I took the image along the brook in Gilsum there was no chance for a cloud reprieve. Here I was able to combine ISO of 100, f20 and a polarizer to slow the shutter to a water softening 1/10 second. The problem was that, with all that depth of field, the foreground tree tended to be lost in the sharply detailed background. In this case I used the bright light as a spotlight on the tree and darkened the background in post. It's not perfect, but what do you expect from crappy light. Let the water flow ! But a Little green will be nice too.