From its invention, photography has been a medium that was prized for its ability to capture what we see in flawless detail, freezing more of "reality" than could ever be absorbed by our limited visual perceptions. Without special forethought, my photography has tended toward images that celebrate the beautiful detail of the natural world. I have tried to use the remarkable powers of digital photography and editing to place viewers in locations as I have seen them, working to display the mood as well as the reality of the remarkable world around us. But photography has always provided a means to see things beyond our normal perceptual capacity, that are not accessible to the naked eye (THERE, I got the word "naked" into the article - TWICE! Watch my hits soar!).
Anyway, In the beginning photography captured "Reality" in its own way based on its technical limitations. It has always had the remarkable ability to freeze time, not only for moments but for centuries. As initially a black and white medium, photography washed the color from the world and forced a new focus on light and pattern that had always been hidden under a gaudy chromatic layer in our perception. Photography has expanded and altered our vision in many other ways and, digital photography, although not required for many of these advances, has made them more easily accessible and pushed opened the door to these unseen new worlds. I have discussed many of these techniques in much greater detail in previous articles, but here is a brief list of some of the ways that photography can open our eyes to a new worlds. Let the journey begin.
Infrared
Infrared photography is perhaps the best example of seeing the unseen. Infrared is the portion of the electromagnetic spectrum beyond deep red. Although these longer wave lengths are beyond the ability of our eyes to detect, infrared photographs have been captured since the early 1900's. Today a digital camera can be modified to respond to the infrared making it much easier to capture this invisible world. The infrared spectrum shows foliage in brilliant light, making summer scenes appear like winter landscapes. It cuts through haze and reveals puffy clouds in stark contrast against inky black skies. With infrared photography it is often possible to capture powerful images on days when the light is too flat and dull for strong conventional images. I found it well worth the expense to modify my old Canon 20D doorstop to become my IR camera.
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Infrared, Seeing Photography in a Different Light
HDR
High dynamic range photography can be used to overcome the
Improving Dynamic Range |
turning a mirror on the artists mood and fancy rather than the reality of the moment. I love HDR because it provides such an unlimited opportunity for self-expression. I generally use these tools to render images that better reflect the dynamic range that was apparent in the field, but occasionally it is fun to go crazy, jump through the looking glass, and produce something that truly would never be apparent to the eye.
Going Crazy |
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HDR: Bon Appetitt
Taming the HDR Beast
Stop Motion:
Stopping motion requires fast shutter speeds that the high ISO capability of new digital cameras has made more practical. I remember, from the ancient past, when loading the camera with ASA 400 film was a considered reckless, trading speed for the assumed damage to image quality. Based on the lighting, I can now easily dial up the ISO to whatever is required, to allow a shutter speed fast enough to freeze the action or capture images in inky darkness.. The combination of the improved low light sensitivity of new digital sensors and the capability of software noise reduction algorithms has made it possible to maintain acceptable image quality at ridiculously high ISO levels.
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Accidental Bird Photography
Great Blue Heron on Harvey Pond
Long Exposure;
Long exposures have always been a capability of photography. In
Crowded Portland Street |
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Photographing the Magic of Velvet Water
Long Exposure Crowd Control
Star Track Photography
Deep Space:
While we are talking about night sky images, I think one of the most impressive ways that digital cameras have altered our sense of nighttime wonder has come from the ability that long exposures and high ISO have to extend our vision into deep space. ISOs ranging from 1600 to 6400 and exposures of 20-30 seconds brings a dense sea of stars into view that are invisible to our eyes even on the darkest night. Beyond doubt, the celebrity of this celestial show is our own galaxy, the Milky Way. The most impressive images usually show the Milky Way's brilliant band in some appropriately interesting setting, and there are now many programs and Apps that can tell us precisely when, and where to stand to place a lighthouse, a tree or a silo in front of the show. I live in the country and I often get a clear view of the sky, but even here the digital camera easily converts a subtle smug into a breathtaking view of our galactic disc.
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Night Time Photography, Searching for the Milky Way
Photographing Comet PanSTARRS
Time Lapse
Time lapse photography compresses time allowing us to see in a few seconds what occurred over hours. All that is necessary is a sturdy tripod, an intervalometer to time the exposures and software to assemble the hundreds of images into a video. For quick and simple time lapse videos I have used Quick Time, but many other options exist. I'm still a novice, but I have enjoyed creating videos of the setting sun, billowing clouds, or stars moving majestically across the sky. I even have one of Susan and I decorating the Christmas tree.
Monadnock Sunset
Tree Trimming
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Time Lapse Time
Focus Stacking
It may seem that the use of focus stacking to achieve a deep depth of field only replicates what our eyes can capture, but in fact eyes have the same focusing limitations as any lens and iris system. The only reason that we feel we can see everything from near to far in sharp focus is that our eyes are constantly and subconsciously adjusting focus as we move our attention around the scene. A photograph with sharp focus throughout is actually a representation of the world beyond the capability of our vision, but it does match the dynamic nature of our perception.
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Focus I
Focus II
Hand-Held Focus Stacking
Of course there are more ways that digital photography allows us to see the unseen. Editing software can alter our vision and a world without a tangle of wires in front of every beautiful scene is a priceless gift of Photoshop. It has been thrilling to explore some of the photographic options available, but It is also humbling to realize all that I need to learn. But then again the endless opportunities to learn are what make photography endlessly exciting.
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