About Me

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Spofford, New Hampshire, United States
Jeff Newcomer has been a physician practicing in New Hampshire and Vermont for over 30 years. Over that time, as a member of the Conservation Commission in his home of Chesterfield New Hampshire, he has used his photography to promote the protection and appreciation of the town's wild lands. In recent years he has been transitioning his focus from medicine to photography, writing and teaching. Jeff enjoys photographing throughout New England, but has concentrated on the Monadnock Region and southern Vermont and has had a long term artistic relationship with Mount Monadnock. He is a featured artist in a number of local galleries and his work is often seen in regional print, web publications and in business installations throughout the country. For years Jeff has published a calendar celebrating the beauty of The New England country-side in all seasons. All of the proceeds from his New England Reflections Calendar have gone to support the Pulmonary Rehabilitation Program at the Cheshire Medical Center. Jeff has a strong commitment to sharing his excitement about the special beauty of our region and publishes a weekly blog about photography in New England.

Sunday, March 3, 2013

Photographing Covered Bridges in Context

Stark Village, New Hampshire

More than a Snapshot of a "Beautiful Thing"

As I see it, one of the most important aspect of strong images is how the subject is placed in the context of its surroundings. The web is full of photographs of "beautiful things". Soaring mountains, rushing rivers and placid lakes, all make wonderful subjects, but too often the photographs are merely pictures of the "beautiful things" without using the surrounding to support and highlight the visual and emotional position the "beautiful thing" holds in the environment. To me a photograph without the effective use of context is a snapshot. It is how the context is incorporated into the image that is an essential part of strong composition and it is how a snapshot can be elevated to a meaningful work of art.



Last week, I highlighted the classic Dummerston Covered Bridge in my celebration of the attractions of that lovely Vermont town. It got me thinking about what makes a covered bridge visually interesting. I’m a big fan of these unique examples of utilitarian
Sawyer's Crossing View, Swanzey, New Hampshire
beauty and it doesn’t take much to get me excited about photographing them. But why did our ancestors cover their bridges in the first place. Certainly it was not to attract tourists to wander about, reveling in their charm. It wasn’t, as is popularly assumed, to protect the people and horses crossing on the bridge, nor was it to keep snow off the floorboards. The fact is that, back in the days of untreated lumber, the major supportive beams and trusses of a bridge would last only about 10 years, but protected from the harsh New England elements they could last for centuries. Our ancestors were smart and practical folk and didn't want to replace the bridges every decade. We are lucky that the result of their practicality is that, we, in New England still have hundreds of bridges to photograph.



Beautiful Dummerston Bridge


Bridge in Context
Covered bridges are often visually stunning with powerful lines and brilliant color, usually red, against the stark New England backgrounds, but for me, the essential element in a great covered bridge image is the context. Taken by itself a bridge is interesting, but largely one dimensional. Perfect light can help, but what brings it to lif is its surroundings, how it fits into its environment and makes functional and artistic sense. When I start shooting a bridge my first thought is how to harmonize the structure with complimentary foreground and background elements. I often spend more time studying the surroundings than the bridge itself. Fortunately, bridges, doing what bridges do, are seldom devoid of context. The key is to find and use the context effectively.





Finding Context



West River and Dummerston Bridge
Flowing Water
Bridges are, almost always, built to span water, usually a flowing brook or river, and this provides a reliable source of context. I typically look up and down stream for perspectives that draw the eye
Waterloo Bridge, Warner, New Hampshire
to the bridge. Often the stream is the only place offering an unobstructed view of the entire  structure. With long exposures, the soft texture of flowing water can contrast nicely with the hard angular nature of a bridge. Sometimes it is the stream that becomes the center of interest with the bridge serving as a supportive background. 









Use the Landscape
Flume Bridge & Mount Lincoln

For some bridges, the best solution is to set the structure against a broader landscape of mountains and sky. The classic example of this is the Flume Bridge in Lincoln, New Hampshire. The bridge is shown to its best with the 5089 foot Mount Liberty looming majestically in the background, especially when the mountain is snow capped or engulfed in a riot of autumn colors. When broad views are unavailable because of surrounding foliage, trees and roads may be used effectively to frame and draw the eye to the bridge.











Framed, Keene, New Hampshire
Leading Road, Henniker Bridge, Henniker, NH





The Village Bridge
Stark, New Hampshire
















 






West Arlington Bridge, Vermont
My favorite context is when a covered bridge is part of a classic village tableau. There may be no more quintessentially New England country scene than a covered bridge nestled among pristine old houses and the perfect village church. Fortunately, New England is rich with examples of the “village” bridge. A few of my favorites include the Stark Covered bridge in Stark, New Hampshire, the Green River Bridge in Guilford, Vermont and the West Arlington Covered Bridge in Arlington, Vermont. The challenge is to arrange the elements in a comfortably balanced composition. Sigh! Now all we need to do is clone out all those ugly wires and the *&%$ satellite dishes. Postcard here we come! .

Green River Bridge, Guilford, Vermont



















People (ugh)
A bridge is designed to carry people across something, and images of a bridge being functionally bridge-like can be effective. Definitely not cars: ideally an ambling horse and carriage, but I will accept the occasional walker or biker as long as they are not wearing heavy metal tee shirts. I have to fight my natural urge to clone intruders into oblivion, but magazines often like to see people in their pictures, and occasionally the commercial urges take over. Photographer Ned Therrien once told me that he often brings a wardrobe of classic country clothing to a shoot, placing himself or his wife, properly attired, into the scenes. It’s a great idea, but, like many of us, I became a photographer to avoid being in the picture!

Crossing Over Arlington Covered Bridge Vermont

So get out and shoot those bridges. Just remember that it is the context that changes a snap shot of a pretty bridge into a meaningful portrayal of New England country life.

For more examples of our great great New England Covered Bridges, check out the Covered Bridge Collection on my Partridge Brook Reflections web site.


Jeffrey Newcomer
partridgebrookreflections.com

3 comments:

  1. Wonderful article! Breathtaking images! Thanks for sharing!

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  2. Excellent blog post Jeff with so many beautiful images!

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  3. Looking forward to your program at Brattleboro Camera Club tomorrow night.

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