Spring Attractions 2025

West Guilford

Spring is progressing and I have been getting out trying to capture the beauty before it disappears.   For me, the season really comes to an end when the fresh, multi-toned green of the early foliage settles into the rather monotonous deep greens of summer. Surely, the bright spring flowers continue to explode, but once the variety of colors in the trees and scrubs begin to fade, I’m ready to move on to summer.

 

Guilford Vermont

Overall, it has been a good spring.  After a prolonged late winter “stick season”, the buds slowly began to pop.  As always, I love the variety of greens that decorate the hills and roadsides.  I call it our second “autumn” season of color and in many ways it is more interesting and longer lasting – with the  added benefit of no leaves to rake after it is all over.

 

Pleasant valley Farm Rockingham Vt

First there is the Flowing Water

Partridge Brook Chesterfield New Hampshire

Chesterfield NH

Of course, early spring isn’t only about the waves of color.  The second major attraction is the flowing water. Even without much melting snowpack the streams and waterfalls have been bursting with this years spring rains.  Waterfall photography is often an early spring gift even before the greens begin to grow.

 

Chesterfield Gorge

This year, I enjoyed a fun early waterfall exploration with a short workshop for a group from the Monadnock Garden Club.  I had planned to visit a number of waterfalls around Chesterfield area over a morning in early May.  I first brought the group to Chesterfield Gorge.  The Gorge has a wonderful variety of dramatic drops and babbling cascades and it turned out that location provided more than enough to keep the folks busy for the entire morning.  The group came with a wide range of experience and equipment, from sophisticated digital SLR’s to iPhones.  I was happy that everyone had a tripod, but some barely qualified for that designation.  There certainly were many opportunities for diplomatic instruction and the brisk flow of the stream provided all we needed to capture lovely images.

Saxon River Falls

Brockway Mills Falls Chester Vt

The waterfall photography has been great all spring and I have been out a number of times to catch the action.  I love it when I discover new waterfalls.  This year, my friend Lucky introduced me to a couple of dramatic falls around the Bellows Falls, Saxon River area in Vermont.  It is exciting that, no matter how long I wander about the roads of my corner of New England, I still can find fresh areas of beauty and wonder.

Partridge Brook Chesterfield NH

There are various ways that shutter speed can render the appearance of flowing water.  Rapid exposures freeze the splash capturing the turbulent energy of the water, but I continue to be enamored with the soft dreamy appearance created by long exposures.  Previously, I have discussed my view of the optimal shutter speed, but it depends on the rate of flow, the distance to the falls as well as your own taste.  My goal is to get a soft look without losing all the detail in the water.  There is no one “perfect” shutter speed, a bit of experimentation is usually required.

Partridge Brook Dam Spofford NH

Nearby, my local falls were all brimming with action.  Partridge Brook, which flows behind my house on its way to the Connecticut River, provided many interesting cascades as it ran through the old mill dam and down alongside the road toward Westmoreland.  The Gulf Road, in the southwest corner of Chesterfield, has a number of falls which are dependent on the fresh run-off, but when the rain is strong, the falls can be dramatic.   

 

Gulf Road Falls Chesterfield

Jelly Mill Falls Dummerston Vt

I also got across to Vermont for one of my favorite falling water spots in Dummerston, where Stickney Brook drops through the Jelly Mill Falls, with a series of lovely cascades to the West River.

 

Spring Green

Roads End Farm Chesterfield NH

As spring progresses, my attention is increasingly drawn to the evolving color of the bursting greenery.  It was great to have an excuse to explore around my familiar locations in both New Hampshire and Vermont.  

 

 

Each day, I found different shades of color as the season progressed.  I could also vary the colors by simply heading north or south, or by changing my altitude. The greens are settling out down here in far southern New Hampshire, but just last week I was able to catch some beautiful hillside greens on a misty afternoon farther north in Charlestown along the Connecticut River.  

 

Twin Peaks Charlestown NH

Every year, I am amazed at how quickly the leaves explode on the trees.  They must know how short a season they have to store energy for the long winter.  It is sad to see the multitude of shades of green settle out, but I do have a pile of images to work through, and I can sit back and enjoy the relaxing shade until the blast of autumn color shakes me from my summer lethargy.

Broad Brook Guilford Vt

 

Jeff Newcomer
www.partridgebrookreflections.com

 

Monadnock Garden Club Waterfall Workshop

 

Shooting the Gorge April 2025

Upper Fall Chesterfield Gorge

It has been a while since I hosted a Photography Class or photo workshop.  It all started with my dissatisfaction with resorting to Zoom courses begun in response to the pandemic.  I missed terribly the face-to-face exposure of live classes and workshops.  As the pandemic waned it seemed hard to get back to a schedule of programs.  Of course, a touch of laziness also contributed.

For a number of years, I had offered my Introduction to Digital Photography Course through the Keene Community Education Program, but recently the program has dropped general enrichment courses such as mine and now focuses solely on academic, and vocational enrichment classes, including apprenticeships. I found myself looking for a new home. 

Big Drop Chesterfield Gorge

I have enjoyed the opportunities I have had to share my passion for photography and photographic editing and I have greatly missed teaching about the amazing advancements in digital image making.  I know that I need to find ways to get back out there.

It was with all this I mind that I was excited to hear from my friend and former student Robin Turnbaugh with a request to lead members of the Monadnock Garden Club on an abbreviated spring waterfall photography workshop.  Last Thursday, I was joined by a group of enthusiastic club members for a morning exploration of some of the local falling water.  A half day is short, but after a brief discussion of the key aspects of waterfall photography, we headed out to sample the beauty of the spring runoff at Chesterfield Gorge.

The Gorge provided the opportunity to sample a variety of falls and cascades in one compact area.  As I suspected the group came with a range of equipment from sophisticated Digital cameras to one iPhone.  Everyone had tripods, but a few of them were quite flimsy or actually falling apart.  Regardless, there were great opportunities for teaching, and everyone seemed to come away with some nice images and, hopefully, many important lessons. Given that this was a garden club group, my only disappointment was that the early date precluded any exploration of streamside spring wildflowers. While coaching the participants I was able to grab only a couple of my own images, but my shots were all hand-held with no chance to break out my tripod.

Gorge Cascade Teeth

Catsbane Brook Falls

For my part, I finished with a desire for more.  I would have loved to have had more time to tour some of the other waterfalls in the Chesterfield area, including those along the Catsbane Brook and the Gulf Road.  My usual waterfall workshops span a day and one-half over a weekend and include classic spots in both Cheshire and Hillsboro Counties. Perhaps I can drum up some interest in a more extensive workshop in a few weeks.

Eclipse Journey

It was March of 1970.  I was penned up in my New Hampshire dorm rooms when a partial solar eclipse darkened the skin over Hanover.  It wasn’t the spectacular drama of a total eclipse, but I do remember looking out of my window to see the mass of my fellow “scholars” pounding pots and pans to encourage the weakened sun to return.  I could have travelled to see the total eclipse – the Southeast coast of the US would have served, but, at the time, I was barely 20 years old, and it didn’t seem that important to make the effort.

 

Path of Totality April 8 2024

As eclipse day approached, I planned to travel to the Burlington Vermont area, but within a day or two it looked like that region might be on the approaching edge of overcast skies.  It began to make sense to move my target northeast to the northern border of New Hampshire.  Monday morning, eclipse day, Susan, Benjamin Pierce (our wonderful Goldendoodle) and I Headed for Colebrook New Hampshire.  Predictions of nightmare traffic led us to leave at 6:30AM, but the trip north was a breeze.  We arrive in Colebrook with five hours to kill before the beginning of the eclipse and had plenty of time to find a good place to settle in for the show.

 

Eclipse Necessity

With Susan doing the planning we had most of what we needed, our folding chairs, sandwich fixings, lots of terrible but delicious snacks, water, food for the dog, eclipse glasses and an eclipse filter for my 400mm lens.  As we searched for a spot, we had only two additional criteria, an unobstructed view of the sun and porta potties.  We found both in a parking area set aside by the nice people of Colebrook. 

First Bite of the Moon

I had plenty of time to get my camera set up.  I focused the 400mm lens on the trees of a distant mountain ridge and then used gaffer’s tape to fix my focus on infinity.  Exactly as predicted beginning at 2:16PM, the moon began nipping larger and larger pieces of the sun.  The process took about one hour so I grabbed images about every five minutes.  As the sky slowly darkened, it took on an eerie grayish twilight and the temperature dropped.

Totality Lower Exposure Reveals Solar Prominences

Suddenly, as if by flipping a switch, totality blinked on.  Despite all my planning, panic set in.  I rushed to capture a range of exposures, but then I realized I was at risk of missing the experience while trying to capture it. For the last half of totality, I just settled back and enjoyed the view. It was spectacular and must be experienced to be appreciated.  I haven’t seen any photograph that fully captures the phenomenon. In addition to the bright corona, I was especially struck by the brilliant red of a solar prominence that peaked around the lunar disc.

 

 

Nearly 3 Minutes of Totality

In Colebrook the duration of totality was just under three minutes, but it seemed like 30 seconds.  Shortly after totality, we packed up and hit the road.  I felt a little guilty not waiting for the full process of the reemergence of the sun, but, like most everyone in the world, we knew what a nightmare the traffic would be heading south.

First Sliver of the Sun's Return

And it WAS a nightmare! Normally it should take about 3 hours to make it home, but it ended up taking 8 hours before we staggered back to Spofford NH. 

Route 91 - The Crawl

We initially found a few less congested back roads, but quickly, every path was clogged and the main route south, on Route 91, was a languid parking lot. We left Colebrook at 4PM and finally got home at about midnight.  There were a few saving graces, including the chance to listen to some fun music, and the blessing of a wonderfully relaxed dog. Benji actually handled the slog with far fewer complaints than either Susan or I. (And without drugs!)

 

We have now recovered from the journey, and I’ve had a chance to review my images.  In just a few days, the pain has faded, and the wonders of the experience are growing. The long journey has become just part of the whole remarkable experience and will blend with our memories of this amazing, once in a lifetime event.  I’m very glad that I made the effort to check this one off my list.

Jeff Newcomer
www.partridgebrookreflections.com

The Magic of Generative Fill

 

"Distraction" Removal Strasbourg France

My intention in this article is to discuss the marvelous new Photoshop tool, Generative Fill, but first I feel I need to explain and apologize for my prolonged absence (until a week ago) from publications in this blog.

I am a little surprised and a lot ashamed that it has been just over two years since my last post to my digital photography blog. I understand some, but not all, of the reasons for my absence.  I have always said that I do the blog primarily for my own fulfillment, a way to force myself to consider the challenges of digital photography in a more formal way.  I hope that my discussions have been helpful to others, although I must observe that my ghosting has not led to an uproar of disappointment from my “fans”.

 

The reasons for my absence are many.  Certainly, I must blame, as everyone does, the pandemic, although you might expect that all that free time should have led to more output.  Over the years I always did my best writing while settled at a table in my favorite coffee house and it just hasn’t been the same staring at the monitor isolated in my studio.  The good news is that I started this blog back at a table in the expanded Brewbakers. I did expect that my retirement would have led to more free time to devote to writing but there have been various competing priorities. 

Courthouse Butte Sedona Arizona

Several trips, including to Iceland, Ireland, Arizona and up the Rhine River have added volumes of images requiring editing, and of course the documentation of our two grandchildren have contributed great piles of pixels.  All excuses aside, I must acknowledge that a major reason for my silence must be ascribed to my own profound laziness.  There is something about having all this free time that encourages sloth. My pace is generally slower.  With all that free time tomorrow, it is always easy to put off what I should have done today. 

 

Enough excuses.  In the last two years the light has not changed and the beauty of New England remains remarkable.  What has changed are the tools that we have available to capture that beauty.  Successive updates to Adobe Lightroom have made it a more capable image editing tool while retaining its file management and organizational strengths.  It is possible to rely solely on Lightroom for your image management and processing, but Photoshop still is the gold standard and offers image editing capabilities that are still not present in Lightroom.  AI supported Generative Fill (GF) is one these powerful capabilities. I should add that GF is only available in the newer versions of Photoshop.  You won’t find it in Lightroom (yet).

 

Marshall Point Light

Added Gulls & Lobster Boat

 Generative Fill (GF) is not a perfect tool, but in many situations, it is almost magical.  Much of the attention given to Generative Fill is based on its ability to insert content into images.  By selecting a portion of an image GF can add almost anything that you may ask.  In my sunset picture of Marshal Point Light, I selected an area in the right upper sky and asked for three seagulls at sunset.  Each time you press the “Generate Button”, after a short period of “thinking”, the tool provides three choices. In this case one of the initial choices worked reasonably well.  Of course, I couldn’t stop there and added a lobster boat on the left.  GF gets these images from Adobe’s extensive image library, and it often    works quite well.  Of course, there is no roadblock to keep you from going too far.

Adde Elephant

 

In this case, an elephant parading among the rocks.  The power of GF to insert content is remarkable and, although it often has an artificial quality, it will certainly get better with further refinement. It is a lot of fun, but for me, I am uncomfortable manipulating the content of my images to this degree and I essentially never use this feature of GF

Generative fill has a couple of other tricks that I find quite useful.  First it can be used to expand the size of image backgrounds.  In this case my Bluebird was cropped too tight to his beak.  After expanding the canvas size to the right, I selected that area, pulled up Generative Fill and triggered it without putting anything in the text box.  The tool nicely sampled the surrounding area and generated a smooth consistent pattern for the background.  GF does a remarkable job expanding the edges of images whether it is sky, grass, water or whatever else you need.

Distraction Removal

Peggy's Cove Light Nova Scotia
Why Do They Watch Beside the Light

By far my most frequent use of Generative Fill is in the removal of distracting content from my images. I have always been compulsive about removing distraction to make my images simpler while directing attention to the key elements of the composition.  I have spent hours with my cloning tool trying to seamlessly eradicate stray rocks and branches peaking in from the edges of my images and most of all, trying to erase all the people who loiter about blocking the natural beauty.

People Removed the
Old Fashion Way

It’s not that I necessarily dislike people. They just don’t belong in my images. I contend that when we look at a beautiful view our minds tend to eliminate the crowds that inhabit the space. In a photograph those interlopers stand out and can’t be ignored.  My view is that removing these distractions brings the image back to the way we originally perceived it.  With that justification, I want to show how the use of Generative Fill has vastly increased the ease of removing distractions of all sorts.  I can illustrate this best by looking at a few images from my recent cruise up the Rhine River from Amsterdam to Switzerland.  On the trip I was frequently gifted with beautiful scenes of classic villages and ancient cathedrals.  Spectacular but also overrun with wandering groups of tourists.  It is easy to be frustrated by the gaggles, but I always had to remind myself that I was one of the tourists as well.

In the past I would use cloning to carefully remove a few of the most intrusive humans and other distractions, always balancing the severity of the distraction against the time required to meticulously scrub away the contamination. Often the decision was based on the complexity of the background that must be duplicated to fill in the space opened by the removal. In images that I found especially powerful, like the Peggy's Cove Light above, the time required for removal of distractions was more justified and I could spend hours cleaning things up to let the image shine through.

 

Crowded Old Town Strasbourg

Generative Fill has made this process much easier, reducing to a fraction the time required to clean up even the most cluttered image. 

 

Partial Crowd Selection

To use GF, you simply make a selection around the offending area (as above) and then open the Generative Fill tool in the “Edit” drop down menu in Photoshop. Click “Generate” without entering anything in the dialog box and wait for the results.  As always, GF will offer three choices based on the surrounding pixels.  Some can be bizarrely awful, but others are surprisingly good matches.  If you don’t like any of the choices, you can hit the “Generate” button again and get three more possibilities. 

Generative Fill of Selection

I’m not always happy with the first results, but more often my response is “WOW, how did it do that”.  Using GF, the process of cleaning an image is so fast and accurate that I find myself eliminating distractions that I would have previously let slide because they were either too minor or too complicated to work on.  

Further Removal of Distractions

Cologne Cathedral 

Sometimes GF seems to have problems getting things right. GF can dip into the Adobe Image Database to pull up crazy stuff to fill the gaps. You don’t want a poster board filled with gibberish replacing the person in front of the cathedral altar. In these situations, redrawing the selection may help.  

Crowded Bridge Strasbourg

For large or complicated areas breaking the target into a few smaller selections can help GF get a better result.   Here I had to do separate fills on the bridge and the reflection.  The important point is not that the GF results can go awry, it is how often it fills your selection with remarkably appropriate content.

Bridge is Clear

 

Spalen Gate Basel Switzerland

As I worked my way through my thousands of Rhine River images, I was amazed how many times I used Generative Fill to clean up my pictures. Amsterdam and the Rhineland are full of majestic landscapes, quaint villages and breathtaking cathedrals and Generative Fill allowed all these sites to shine past the distractions without adding frustration and hours to my editing time. Give it a try.  Once you get a feel for it, you’ll find GF is amazingly powerful and a lot of fun.

 

Also, check out my Gallery of images from Amsterdam and the Rhine 

 Jeff Newcomer
www.partridgebrookreflections.com