Wednesday, August 22, 2012

Photographing the Grand Teton National Park






Smoke Gets in Your Eyes
Jackson Lake Smoke Grand Teton National Park
After our all to short visit to Yellowstone Susan and I headed south to Jackson Hole and the Tetons. It was years ago that we had driven by these mountains on our way across country, and we were excited to finally have a few days to explore. We stayed in a great bed and breakfast in Jackson, but, sadly, we discovered that the dramatic mountains were largely obscured by the smoke from several forest fires in Idaho. We still had a wonderful time hiking the mountains and exploring the trendy town of Jackson, but photographically, the experience centered on trying to find ways of getting past the murk to capture memorable images of this iconic location.

So what can you do when smoke or haze obscures your beautiful landscape?

Patience
First you can wait and hope for a storm to pass through blowing away the grime. Unfortunately this didn't happen for us. I shrugged and promised to come back again, sometime, and then I had to make do. 



Get Close

Inspiration Point Trail
The impact of smoke and haze is magnified by distance. Some of the Tetons’ classic viewpoints, such as the Mormon Row of deserted farms, are several miles east of the mountains. On clear days, the classic barns and fences make wonderful foreground material against the rugged mountains, but through the smoke, the peaks were just a faint pastel backdrop. I quickly learned to seek out viewpoints closer to the peaks. The smoke still had its impact, but especially when hiking among the mountains, the effect was much reduced. And, of course, close encounters with the wildlife were always clear.










Mule Deer Fawn

Bull Moose



 










Celebrate the Foreground
Mormon Row Foreground

When the distant vistas are murky, it is a good time to focus on the foreground. I always look for good foregrounds to compliment my expansive landscapes, but in this situation, the sharp, clear foreground elements helped to offset the lack of distant majesty. Fortunately the Tetons are full of great detail; rocks, flowers, animals and old structures can all become nice foci of interest.  
 








Embrace the Smoke

Mormon Row Sunset
On our first night in the Tetons I decided to check out Mormon Row. This is traditionally a morning site with the warm sunrise illuminating both the barns and the distant mountains. Although I knew that the peaks would be obscured, I hoped to use the smoke to augment the sunset light. I was excited to see that by shooting through the murk the
Smoke Filtered Sunrise
waning sun was given added dimension. As it dropped behind the mountains, the rays of light became vividly palpable and with the mountains in silhouette the images became much more about the light and the foreground with the smoke just a necessary piece of the puzzle. The next morning from the same spot, the smoke still shrouded the mountains, but when I turned to face the sun, it was so heavily filtered that I was able to shoot the rising disc without blowing out the surroundings.

 




Back in the Digital Darkroom
Jackson Lake
Sharp Mask Enhanced Contrast
Of course post-processing can always help. With a careful selection, the mountains can be isolated for enhanced contrast and vibrancy. The Unsharp Mask tool can also be used to enhance contrast. In the Unsharp Mask menu (Filter/Sharpen/Unsharp Mask), I raise the radius setting to around fifty and then adjust the strength to achieve the desired level of contrast enhancement. This technique can work wonders on flat images regardless of the cause, including smoke and haze. It is a powerful tool that can be easily overdone, but in this case, I used a mask to limit the effect to the distant mountains and then fine tuned the impact by adjusting the layer's opacity slider.





HDR
HDR to the Rescue
HDR techniques can also be helpful. The image of the mountains behind the north end of Jenny Lake combines most of the techniques I have discussed. It was taken closer to the peaks and had strong foreground elements, but additionally I found that with HDR I could do a better job cutting through the smoke. I captured 7 bracketed images, and then used Photoshop’s HDR Pro just focusing on enhancing the contrast in the mountains.




 




Black & White Conversion
Smoke and haze unavoidably mutes the vibrancy of color in images and, in these situations, conversion to black and white can restore the photograph's impact.  Black and white images can be more aggressively edited without affecting color quality.  Finally contrast enhancement or HDR can be combined with black and white conversion and local adjustments to further restore the snap in those murky distant peaks.



 

Black & White Conversion, Schwabacher Road




Hidden Falls
The Grand Teton National Park is an amazing place and although I was terribly disappointed by the smoke, I enjoyed the challenge and, in the end I came away with images that have a different quality than those that are the typical postcard shots. Every now and then it is good to be forced adjust to challenging conditions, and vacation is the perfect time for fresh experiences.

Enough lame rationalizations. The next episode will feature Hood River and the Columbia River Gorge, highlighting spectacular waterfalls, majestic Mount Hood and of course a wedding. And all with much less smoke!


1 comment:

  1. Excellent blog Jeff!! The pictures are beautiful. Kudos to you for doing such an amazing job dealing with the obstacle of the smoke. Really great stuff here!
    Carol

    ReplyDelete